The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.
Tomoko Naraoka
as Narrator
Sofu Teshigahara
as Himself
Short documentary about Twin Peaks: The Return.
This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
David Attenborough takes us on a guided tour through the secret world of plants, to see things no unaided eye could witness. Each episode in this six-part series focuses on one of the critical stages through which every plant must pass if it is to survive:- travelling, growing, and flowering; struggling with one another; creating alliances with other organisms both plant and animal; and evolving complex ways of surviving in the earth's most ferociously hostile environments.
The Nishiyuu walkers made the trek from Whapmagoostui in Quebec to Ottawa, a 1,600-kilometre journey whose roots date back millennia. At the heart of legendary director Alanis Obomsawin’s latest short documentary, her 51st film in 50 years of filmmaking, is the idea of walking as activism, as well as a symbol of decolonization and an embrace of the traditional.
A documentary about the Friends of the Western Buddhist Order in London.
Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.
Here we see short scenes from a random day at the airport. We have flying planes, landings, passport checking scenes, passengers waiting for their relatives. This documentary shows the ordinary but unique behaviors and reactions of the passengers and the airport maintenance staff.
Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.
Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.
Dogs walking on the breakdown lane, bachelorettes partying in the car and a bored child looking for something to do. Thousands of impatient travellers are trapped in the traffic jam of the century. Ahead lies the Gotthard Mountain, one of the longest tunnels in the world, the gateway to the sunny South. Glued to the asphalt, climate activists are heating up the mood even more. Who will snap first?
“Last August, several filmmakers joined me to repair the splices in Markopoulos’s Eniaios. I interrupted our work for a moment; the generosity of James, Silvia, Nina, Alexandre and Julia prompted me to film them. Then I filmed James Edmonds a second time with the avocado plant that he had grown while we were working together.” (RB)
Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.
A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
