Elena. An indigenous woman, pregnant and alone, must leave her home to look for better opportunities in the city, always keeping in mind where she comes from.
Irene castellón
as Elena
Alex Sandro
as Esposo
Dexter Reed is down on his luck after another one of his inventions fails. Ed welcomes Dex back to Good Burger with open arms and gives him his old job back. With a new crew working at Good Burger, Dex devises a plan to get back on his feet but unfortunately puts the fate of Good Burger at risk once again.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.
Solange wants her stuff back. She moved out of town five years ago and now returns to retrieve her belongings, which she left in boxes at friends' homes.
Seven candidates to a high executive position on a multinational company show up for a selection test in a skyscraper at the financial district. Among them, the most disparate personalities: the winner, the aggressive, the insecure, the critic, the indecisive…
Steph, a sixteen year old altar server, dutifully puts away the collection money after mass. But when a fellow altar server tries to pocket some of the money, Steph attempts to stop her. What starts as an innocent attempt to prevent thievery looks an awful lot like something else to the priest who interrupts them...Suddenly Steph is followed by symbols of the Virgin Mary, a warning around her sexual desires. Steph must navigate the intimidation of her fellow altar server, a crush on her movie theater coworker, and her own feelings around the comfort of her queer identity.
Africa Star follows three generations of Cypriot women - mother, daughter, and granddaughter - whose lives were tragically altered by one man's submission to temptation. Plagued by guilt over his act in 1945 and his failure to make amends in 1967, the now-ailing octogenarian makes one last attempt in 2008.
Elaha, 22, believes she must restore her supposed innocence before she weds. A surgeon could reconstruct her hymen but she cannot afford such an operation. She asks herself: why does she have to be a virgin anyway, and for whom?
Combining modern footage with home movies and interviews, filmmaker María Casado's life is explored, focusing on themes of family, history, and belonging, with a particular emphasis on childhood experiences related to home.
From the 17th floor of an office building, Pierre is staring out a colleague that is here for hours.
A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.
Three women navigate their way through life and love.
A woman experiences psychic disintegration and ends up in a psychiatric hospital.
Under Riyadh’s moonlit hustle, Salim’s routine shatters when mischievous aliens whisk his bag away, launching him into an unexpected adventure.
Tensions rise within an asbestos cleaning crew as they work in an abandoned mental hospital with a horrific past that seems to be coming back.
Based on a 2016 novel by Mana Sakura, “The Lowlife” shows the stories of three women who work in Japan’s adult video industry.
The end of World War II brings Europe a new political system, reshapes national and personal identities. Three women from Milan, Paris and Berlin report on the days of liberation in their diaries. Their personal stories expand the historical picture and make LIBERATION DIARIES a chronicle of female self-empowerment, resistance and resilience.
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.