In the heart of Yogyakarta, a tall bike enthusiast takes a stand against the city's lacklustre cycling infrastructure in the city with the "Bicycle Friendly City" label.
Raden Muhammad Arif Buwono
as Self
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
Previously a central part of communal life, the movie palaces of New York’s Chinatown are now extinct. This documentary short takes us inside the title theater located on the Bowery, as it’s about to close its doors, with its caretakers ruefully looking back at the life that once was. Eric Lin’s poignant first film serves as a glimpse into the usually private—and, according to the Music Palace’s projectionist, “lonely”—operations of a theater, and mourns the loss of a once-vital movie-going locale.
Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
A significant group of trans and queer artists gather to mourn the loss of their friend – Indigo, AKA Spiral – to suicide.
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
Best friends Max and Nono bike from Berlin to Beijing, collecting donations to build a school for a unique fundraising adventure in this documentary.
James Andersen: Over 50 Years of Taking Pictures is a culmination of photos, films that are brought to life with Andersen's own words. The James Andersen collection documents over 50 years of community life in and around Makkovik, Labrador. The stories that accompany "Uncle Jim's" work explain why for over 50 years he has never been without a camera as he documented daily rituals and life. Andersen does not shy away from telling these stories but shares them with conviction and with a voice that honours each event's importance; the church being rebuilt, fish being caught, and stories of sickness and death are each told with the same reverence.
The film Together we cycle investigates the critical events that has led to the revival of the Dutch cycling culture. For most people, cycling in the Netherlands, seems a natural phenomenon. However, until the 1970s the development of mobility in the Netherlands followed trents across the globe. The bicycle had had its day, and the future belonged to the car. The only thing that had to be done was to adapt cities to the influx of cars. Then Dutch society took a different turn. Against all odds people kept on cycling. The question why this happened in the Netherlands, has not an easy answer. There are many factors, events and circumstances that worked together, both socially and policy-wise. In Together we cycle, key players tell the story of the bumpy road which led to the current state. Where cycling is an obvious choice for most citizens.
Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.
In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.
Five residents of a tiny village in Catalonia decide to make a report on the drought it is suffering from. A group of young filmmakers accompany them for a day.
Who owns the public space? Urban Contradictions documents the State's poorly planned interventions in public spaces, segregating social strata, the neglect of the problems resulting from this social exclusion. Condomínio Selva de Pedra, Cruzada São Sebastião, both in the upscale neighborhood of Leblon, Rio de Janeiro. And the traditional neighborhood of Catumbi: Solutions, Organizations and Contradictions. Urban Contradictions is the report of an investigation on citizen identity and the use of urban spaces.