Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
Galapagos Suite is a 17-minute compilation of 16 days sailing around the Galapagos archipelago aboard the Anahi catamaran. It seeks to encapsulate and capture the experience with intimate videography by Jim Lawrence and an original music score by Christian Jessup.
Uncommon Sense: The Life and Architecture of Laurie Baker" explores both the personal and the professional storyline of the architect. Baker's philosophy was more a way of living than just a way of building. He didn't advocate simplicity while designing, and then lead a lavish life.
fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.
Explorers and amateur directors Mariana Ianovska and Viktor Posnov embark on a 40 day long trip across Umnak Island.
The American Southwest is a feature length blue chip natural history film narrated by indigenous environmentalist Quannah Chasinghorse. The movie journeys down the mighty Colorado River, examining the astonishing beauty and biodiversity of the region, while confronting the environmental destruction from dams and the perilous fate of the river. The story is told through never-before-seen wildlife sequences such as beavers building wetlands, condors recovering from the brink, and the potential return of Jaguars to American soil. The film beautifully advocates for better management of the river and increased wildlife conservation efforts in the iconic landscapes of The American Southwest.
For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. When therapy isn't enough to solve her cherished phobia , Francisca turns to other types of methods - without any scientific basis and not recommended for anyone who suffers from the same condition.
Hometown Habitat features renowned entomologist Dr. Douglas Tallamy, whose research, books and lectures on the use of non-native plants in landscaping, sound the alarm about habitat and species loss. Tallamy provides the narrative thread that challenges the notion that humans are here and nature is someplace else. “It doesn’t have to, and shouldn’t be that way.” Inspiring stories of community commitment to conservation landscaping illustrate Tallamy’s vision by showing how humans and nature can co-exist with mutual benefits.
Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
From LUX: "Welsby adopts a system of camera movements to chart the movement of tides, waves and sky".
"Soap Opera of a Frozen Filmmaker" project is a series of seven episodes of cinematic diaries. It is the unique point of view of an anonymous artist whose entire essence of existence is to make films, but he is rejected on every front time after time. During the process he ponders his life as an artist, the nature of material society and life in general, in which his owm life eventually become a tragedy.
Two layers of mesh overlap on the left. One rotates over the course of a day, its speed shifting gradually. On the right, a single mesh remains still. Digital interference is continuously superimposed onto the physical rotation. Where no rotation occurs, motion persists through digital interference alone. Under different conditions, the two images arrive at similar shimmering forms. The sound drifts with the sky. Tremolo. Pulse.
Bolivian artist and filmmaker Luciana Decker Orozco delves into ancient and essential acts: eating, masticating and digesting. Her suggestive celluloid slips through mouths, intestines and entrails, as well as experiments in the catacombs of the human being and the Earth. Inspired by the avant-gardist and indigenist Peruvian writer Gamaliel Chumata, the surface and the underground, the real and the extraordinary, mysteriously merge together.
Liz Bonnin introduces a cast of charismatic animals to reveal the remarkable strategies they use to survive, and even thrive, through the winter.
Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.