The film follows two young men from the Côte-Nord in Quebec who fall on hard times due to an economic crisis raging in the region. Between staging and song, the movie deals with the importance of work in the construction of identity.
Gilles Vigneault
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Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.
Pouvoir Oublier is a political documentary first constructed from the words of the speakers whose lives changed on the tragic day of May 10, 1972 in Sept-Îles. Their word will be juxtaposed with archival material from the events, some of which are unpublished, which will reflect the collective euphoria in which Sept-Îles and all of Quebec were then bathed.
North of the 51st parallel, where the dense boreal forest opens onto an arctic islet, the snow-capped peaks of the Uapishka Mountains watch over the Nitassinan of Pessamit. In the heart of winter, a group of Innu and non-Innu adventurers attempt to cross this vast mountain range on snowshoes, completely independently. Faced with the vastness of the territory, the rigors of the northern climate and the impetuous breath of the tundra, they discover each other in a different way, form friendships and unite to better chart their course. Over the kilometres, the adventure reveals a space for meeting, sharing and reconciliation.
In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.
Filmmaker Éli Laliberté explores Nitassinan, an Innu territory north of Sept-Îles. His camera follows Clément and Tekuanan. The first is a modern-day coureur des bois, the other returns to Nutshimit, his ancestral family territory.
Driven by an intimate quest, this choral film reveals the meeting of individuals who inhabit the territory of Manicouagan and who together contribute to defining its geomorphological and socio-cultural imprints through time in a dreamlike manner.
For over thirty summers, Mrs. Fife, an exceptional woman of our time, lived in the village of Baie-Johan-Beetz, where her great gentleness and generosity left their mark on people. This documentary is therefore intended as a tribute: it brings together both numerous testimonies and a collection of archival films and photos, signed by Mary Fife.
Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.
In the 1970s, young people from Baie-Comeau – Hauterive sought to take their place in an industrial society dedicated to work and consumption. Often left to their own devices while waiting to enter the job market, many of them seek their paths in artistic creation. The feast of St. John 74 gives them an opportunity to shout their existence loud and clear and to shake up the existing order. We follow them here in their adventure and their reality.
At the age of eight, José shows us his village, Nutashkuan, and everything he loves there.
It is a documentary story about five legends of russian cinema: Nonna Mordyukova, Tatyana Okunevskaya, Tatyana Samoylova, Lidiya Smirnova and Vera Vasileva. These wonderful women tell about their lifes and careers in hour interview.
Kolrosing (coal-rose-ing), originally from Scandinavia, is the delightful art form of creating exquisite fine line decoration in wood. From spoons to furniture - beautiful geometric, floral, and animal images come alive using only a single incised cut from a knife. Kolrosing is very accessible to the beginner, yet it offers a lifetime of creative expression for experienced carvers and woodworkers. With Excellent close-ups, Judy clearly demonstrates • Design Principles • Drawing your Design • Transferring Patterns • Carving the Design • Decorating a Spoon • Sanding and Oiling • Working in you Lap • Tools and Materials • Design Sources • Gallery of Fine Kolrosing
Whispering Revolution (2015) Shammi, age 21, is a tiny woman with big dreams. She has spend her life actively fighting the discrimination in Bangladesh. In Bangladesh lives around 11 tribes in an area called the Chittagong Hill Tracts. The indigenous are the victims of an ethnic cleansing and the Bengali settlers violate several human rights every day. Even though Shammi belongs to the Bengali people, she has decided to meet the indigenous women of Chittagong. We follow her first steps and though about starting a revolution to change the relationship between to two groups of people.
In 1967 Les Blank and Skip Gerson were hired to work in Thailand on a documentary about the B52 Bomber and its use in bombing campaigns over Vietnam.
Following a brief statement by Ry Cooder on his thoughts about performing - and improvising - on stage, this concert film depicts Cooder's 1987 live show in Santa Cruz, California, which was part of his "Get Rhythm" world tour.
