An actuality film of traffic and pedestrian movement at the end of a bridge. In the distance on the other side of the bridge, the tops of some large buildings are visible, including a domed building. The location is unconfirmed.
The little-known story of a deadly race massacre and carefully orchestrated insurrection in North Carolina’s largest city in 1898 — the only coup d’état in the history of the US. Stoking fears of 'Negro Rule', self-described white supremacists used intimidation and violence to destroy Black political and economic power and overthrow Wilmington’s democratically-elected, multi-racial government. Black residents were murdered and thousands were banished. The story of what happened in Wilmington was suppressed for decades until descendants and scholars began to investigate. Today, many of those descendants — Black and white — seek the truth about this intentionally buried history.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
An actuallity film of a fairground carousel in action. Filmmaker unknown but it has been suggested it is R.W. Paul. The film was made on Hampstead heath, London, UK.
In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.
Bas Jan Ader rides his bike into a canal in Amsterdam.
A staged film where over 100 cyclists cycle towards the camera.
Young boys going into the sea water by Brighton's West Pier in the UK to pick up pennies thrown in by people on the pier.
The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.
In 1858 Charles Darwin struggles to publish one of the most controversial scientific theories ever conceived, while he and his wife Emma confront family tragedy.
They called themselves the United Society of Believers in Christ's Second Appearing, but because of their ecstatic dancing, the world called them Shakers. Ken Burns creates a moving portrait of this particularly American movement, and in the process, offers us a new and unusually moving way to understand the Shakers.
May 5, 1821. Napoleon Bonaparte, deposed emperor exiled on the island of St. Helena, is about to take his last breath. The son of a Corsican family, he has been close to death on many occasions since, as a young captain in the revolutionary army, he seized Toulon from the royalists in 1793.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history. It was the beginning of radical transformation where iron was pitted against stone, engineering against architecture, and modern design against ancients. Press campaigns, lobbying, public conferences, denigration of opposing projects, bragging about big names - all participants engaged in a fierce battle without concession. Using 3D recreations, official sources (reports, letters, drawings...) and intimate archives obtained from their descendants, this film will bring to life this vertical race through a fresh and visual way to mark the centenary of Eiffel death.
The Impressionists are the most popular group in art history – millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874.
The animated documentary Proteus explores the nineteenth century's engagement with the undersea world through science, technology, painting, poetry and myth. The central figure of the film is biologist and artist Ernst Haeckel, who found in the depths of the sea an ecstatic and visionary fusion of science and art.
Mark Gatiss explores the life and career of Aubrey Beardsley, an artist who wielded outrage as adroitly as his pen. A lifelong fan, Mark shows how Beardsley was more than just a genius of self-promotion who scandalised the art world of the 1890s. He was also a technological innovator, whose uncompromising attitude still feels remarkably modern.
In the 19th century, China held the monopoly on tea, which was dear and fashionable in the West, and the British Empire exchanged poppies, produced in its Indian colonies and transformed into opium, for Chinese tea. Inundated by the drugs, China was forced to open up its market, and the British consolidated their commercial dominance. In 1839, the Middle Empire introduced prohibition. The Opium War was declared… Great Britain emerged as the winner, but the warning was heeded: it could no longer depend on Chinese tea. The only alternative possible was to produce its own tea. The East India Company therefore entrusted one man with finding the secrets of the precious beverage. His mission was to develop the first plantations in Britain’s Indian colonies. This latter-day James Bond was called Robert Fortune – a botanist. After overcoming innumerable ordeals in the heart of imperial China, he brought back the plants and techniques that gave rise to Darjeeling tea.
