An experience through neon visuals, things you've seen before in ways you haven't seen it. Neon distorted imagery through visuals consisting of gaming, clubs, film, cities, nature, and unidentifiable moving imagery.
The film’s visual structure is principally composed of variations on the arabesque: arcs of light, water spouts, spider webs, burgeoning trees, flowers and foliage, a woman’s smile, arms stretching, an arm giving rhythm to a rocking chair. It uses natural elements (light, mirrors, water, and wind) and photographic techniques (multiple exposures and lenses) to distort the various elements, or to intensify their design.
A short film about a small town where the past and the present are difficult to tell apart.
A documentary about the Parisian night club “Bus Palladium”. This film was theatrically released as a complement for Godard's Masculin, féminin.
After being discovered trying to escape, a woman must survive the night with her abusive girlfriend.
A blackbird takes care of all forgotten things. One 17′ long story in just one drawing. An animated film where the animation is imagined. An experimental film for all audiences.
Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...
A young witch tries to find 'the oasis' and has captured a young man who knows it's exact location. But before he tells her where she can find this mystical place she first has to convince him that magic is in fact very real.
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
A blossoming writer learns that his artistic hero isn't all he thought he was in this satirical exploration of how one separates the art from the artist.
Sculpt Inc. is about unusual sculptures that hundreds of people pass by every day in urban life and unique and sincere interpretations of those who live with them.
A spoiled princess encounters an enigmatic talking frog in this twisted take on the classic fairytale.
Every year, on Easter, the church inevitably encounters an endless stream of believers, many of whom come here only once a year - on this day. What do they expect from this holiday? What are they hoping for? What are they searching for?
Produced for the NFB by Crawley Films Ltd. for the Canadian Department of Industry Trade and Commerce. This film provides a showcase for products manufactured in Canada, from aircraft designed for special duties, to pre-cast bathrooms that can be installed in one simple operation. There is heavy-duty machinery developed for the special needs of Canadian industry. There are women's fashions of universal appeal. All bear the 'Made in Canada' label and can be viewed in this film in colour and at close range.
An homage to old kaiju (Japanese Giant Monster) movies, and also a satire to romantic stories. Using old techniqes like a man-in-suit monster and a mock-up city, the movie tells the story of Vorgon, a poor guy that lost his girlfriend, and he happens to be a 40 feet tall monster.
A reinterpretation of the classic fantasy novels follows Dorothy Gale on a new adventure in the war-torn land of Oz.
Cruising an enchanted forest, a mirror-masked flâneur encounters a series of oracles, each with forgotten wisdom to impart to him through song. Borrowing the words and voices of gay elders from religious and mystical scholar Andrew Harvey to British essayist Quentin Crisp to founding Radical Faerie Harry Hay, The Legacy weaves together a spiritual manifesto for queer men, reigniting a battle cry for personal and collective metamorphosis.
As already foretold by modern technology, Mrs. Liddell would give birth to a certain abnormality. The sight gave her a fright and a little unease, they were not just twins, they were Siamese.