Impressionism and expression of a view, Mavy uses fragments of the ocean landscapes of Alice Guy's studies through fluctuations of bright nuances and an imitation of these tormented waves in the eyes of a modern camera
He was born different, and chose to become unique. Becoming Lucky Love follows how Luc Bruyère turned his “flaw” into strength and his life into an act of creation. Born without his left arm, he faced the violence of people’s gaze from childhood, sinking into shame and self-destruction. “I was born homosexual, without a left arm — I didn’t fit what a man was expected to be: a figure without nuance, categorical,” Luc confides. Instead of giving up, he chose to transform himself and become what he had always dreamed of: a singer and performer. With his angelic face and magnetic presence, nothing seems to resist him — yet his blazing loves and excesses marked him deeply. Now, on the verge of turning 30, he looks back without filters. Becoming Lucky Love paints the portrait of an avant-garde, captivating outsider who proves that destiny can be endlessly reinvented through strength, poetry, and self-invention.
In 1909, in an undemocratic Sweden, a bastard child is born and given the name of Hervor. Her mother is unmarried, due to which she is called a "whore' and is driven from her home. Hervor grows up at shelters and orphanages, unwanted, rejected by society. As an adult she spends her life struggling for social justice. In old age she tells us her story. Director Knutte Wester brings his grandmother's memories to life thought hand-painted animated images and has us witness someone being rejected in order to unite others. A story that all too often still repeating itself.
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors
Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
A scenic documentary record of a climb up to Mount Assiniboine, the 'American Matterhorn' in the Canadian Rockies.
A documentary-essay which shows Costică Axinte's stunning collection of pictures depicting a Romanian small town in the thirties and forties. The narration, composed mostly from excerpts taken from the diary of a Jewish doctor from the same era, tells the rising of the antisemitism and eventually a harrowing depiction of the Romanian Holocaust.
Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
A timeline of transformation, compiled from 8 years' worth of photos by and of transgender actress and filmmaker Robyn Adams.
A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.
Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
A film record of a Soviet expedition to Pamir, not to be confused with Krysha Mira, a different 1928 expedition film also about Pamir, directed by Vladimir Erofeyev, released in USA as Roof Of the World. A pictorial record of the 1928 Russian-German expedition to explore and map an area of the unexplored heart of the Pamirs. During the expedition, three German researchers (E. Allwein, E. Schneider and Karl Wien) made the first attempt to reach the highest point of the Trans-Alai Range, which at that time had the name of the Kaufman Peak (today, Lenin Peak or Ibn Sina). They started climbing upstream of the Saukdara river and continued climbing along the Greater Saukdara Glacier towards the Krilenko Pass at 5820 m. On September 25, 1928 they started climbing from the saddle along the NE Ridge and at 15.30 they made the first ascent of Lenin Peak at an altitude of 7127 m.
Story of Annette Kellerman, the international swimming vaudeville and silent screen star whose life story inspired the MGM classic Million Dollar Mermaid starring Esther Williams, which featured lavish Busby Berkeley scenes.
Short documentary about movies locations from Yugoslavian movies and how they look nowadays.
A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.
