Little Boy Boo

Hands Off

A famous actor realizes his day keeps on restarting for a strange reason to which he can not figure out.

Odds & Ends

Odds & Ends is a sly comment on the collage film and Beat culture. To discarded travel and advertising footage found at a local film laboratory, Belson Shimane added a mélange of animation—assemblages, cutouts, color fields, and line drawings—and faux hipster narration by Jacobs (credited via the anagram Rheny Bojacs) punctuated by a bongo backing. Strung together with doublespeak and non sequiturs, the monologue skirts the edge of nonsense as Jacobs waxes on about poetry, jazz, “reaching the public,” “having a good time,” and—although “money doesn’t count”—the “possibility of subsidy” through grants. Footage of champagne, tropical beaches, and exotic peoples intermingle with rhythmic drawings and stop-motion flights of fancy. The visuals race on through dazzling transformations, both amplifying and undercutting the patter. —National Film Preservation Foundation. Preserved by the Academy Film Archive in partnership with Iota Center Collection in 2006.

KUROKO

An animation work that expresses people who support their lives as Kuroko, otherwise known as stagehands.

Vigile

Careful Please

A bill collector working in a tough neighborhood manages to rescue a young socialite from kidnappers.

Genius Loci

One night, Reine, a young loner, sees among the urban chaos a moving oneness that seems alive, like some sort of guide.

Stump the Guesser

After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.

Destination

Amidst a quest to reach an unlikely destination, a man charts his journey through a strange and wild continent with a bizarre map.

Crust

The protagonists of this surreal drama are seated at the kitchen table arguing over a broken biscuit. Evan Rude (voiced by Bruce Currie) resembles a medieval knight with a propeller head, Ropeshair (voiced by John E Hughes AKA Hobart Hughes) has a head that is a cross between a football and an African sculpture. Each figure sees a fish – supposedly the protagonists’ dinner – circling in space. Inside the biscuit, a hardworking ant works for a 'crust’ to feed his family.

Origin of Species

A parody version of the famous book by Charles Darwin. For adults.

Chainsaw Richard

A boy and his ghost friend go to see a movie.

Aletsch Negative

The Aletsch Glacier is the longest and largest glacier of the Alps. According to glaciologists, most glaciers will have disappeared by the end of this century, and only bits of the Aletsch will remain. Through a journey into the body of the glacier the film offers a compelling and unsettling visual experience in which our perception of the nature of the images we see, scale and temporality are questioned.

SIX GUYS

SIX GUYS is an exploration of horror, grief and the mind and is inspired by works from Junji Ito as well as Charlie Kaufman's "I'm Thinking of Ending Things".

Espaço de Transição

Tertiary Sound

ASMR: A feeling that disappears because it’s too subtle to notice, leaving a trace of a soft tingling sensation behind.

Coded: The Hidden Love of J.C. Leyendecker

Coded tells the story of illustrator J.C. Leyendecker, whose legacy laid the foundation for today's out-and-proud LGBTQ advertisements.

The Circus

In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.