Made with thread, chain, beads, tacks, hex nuts, bolts, steel eye pins, hooks, clasps, tracing paper, prints, IKEA paper measure, bobby pins, 35mm photographic film strip, 16mm film strips, nail polish, screenprint, mesh fabric and lace.
16mm color work by Stan Vanderbeek that takes his work away from the cutups and the commentary and lands him in the psychedelic and abstract. Opticals, repetitions, camera moves and zooms are what make up the bulk of this exploration into fluids. The results bridge that realm between hangout art piece and intersteller stoner trip.
In 1958, graduates of the Film School in Łódź – director Mieczysław Waśkowski and camera operator Adam Nurzyński – produced in cooperation with Tadeusz Kantor the short film Somnambulists. The colourful, painting-like moving image was an attempt at transferring the informel onto film stock.
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
Polish avant-garde animation in which a periodic series of aggressive starbursts interrupt the melodic dancing of fluid shapes, one raid even freezing the image for a moment.
Pictures taken between France and Mexico running at 8 frames per second.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Video art by Vibeke Sorensen made at Calarts in 1989
In a live performance of international standards, musicians, voices, dancers, hot choreographies, impressive visuals, live cinematography and masterful video-statements, worked down to the last detail, compose a multi-layered setting of unique aesthetics. With impressive scenography and absolute stage energy, the Water Square caught fire in front of 16,168 spectators of all ages, in an absolute POP experience. Explosive and lyrical, with a clear identity and point of view, the multi-platinum hitmaker and performer Marina Satti, will rock with her sweeping hits such as LALALALA, MANTISSA, BLOUZAKI, SPIRTO KAI VENZINI, LOLA, TUCUTUM, AUTOKINHTO, AH THALASSA and of course ZARI.
a young timid boy who is doubtful about faith and religion is beaten by curiosity and ends up wandering into a peculiar church and encountering a celestial yet godlike girl.
Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.
One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.
A comic book character searches for a new home after leaving his own story.
A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker's traumatic Catholic experience. The film is intended in part as 'anti-imagery' in response to the iconography of Catholicism.
Inspired by the energetic German film, Run Lola Run, City Shocks delves into the chaos of urban life through a series of interconnected vignettes, while following a character navigating the bustling streets of a sprawling metropolis.
A poetic Super 8mm film created by Rachael Wilson and Anderson Matthew set to accompany the live recital performance of Olivier Messiaen’s Harawi – Chant d’amour et de mort (1945).
