FELT

Farmingish

Experimental Documentary on Sound & Cannabis

Il me semble que je serai toujours bien là où je ne suis pas…

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A moody combination of edited images from various news sources, essays, lectures, pop culture artifacts, and especially the film Koyaanisqatsi (1983), set against selected songs from Nine Inch Nails' 2013 record Hesitation Marks. Designed to feel like doomscrolling. Riddled with copyright infringements. Made for class.

Red Autumn

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

Acoustic Ocean

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

Fragments on the flow

Fragments from Brussels, about the flow of the city, A cinema, A body, A film, and a wind that blows through the town. The film is a Schizomentry experience that blends real stories and fiction. After all, where is the border?

Mit mívelt Isten

Juni, el de Lajas.

A young dreamer wearing a hat made of aluminum foil walks along the UFO Route in Lajas, Puerto Rico, contemplating extraterrestrial life, the collective unconscious, and the immensity of the cosmos.

Volume 1½

One entry from a daily visual journal.

The Meadows Green

Fantastical, larger-than-life puppetry and rambunctiously playful choreography is framed against an Edenic backdrop of Vermont farm country in George Griffin and DeeDee Halleck’s luminous, lyrical short film, which documents the 1974 edition of the Bread and Puppet Theater’s annual Domestic Resurrection Circus, taking place soon after the company’s relocation from downtown Manhattan to the rural New England enclave where it remains headquartered to this day.

PARALELLA PNEUMA - PART 1 1/2 - DUBITO ERGO COGITO, ERGO SUM

A Dança dos Mosquitos

Teach Us How To Fly

Maria is a young Ukrainian photographer who overcomes life's obstacles and rethinks her purpose in wartime Kyiv after the region's de-occupation. She meets her alter ego, a foreign journalist, with whom she embarks on an odyssey through the city, its past, present, and all its dreams.

What to Film?

Experimental documentary dissecting artistic inspiration through raw imagery and collage, aiming to answer a defining question for artists: What to film?

47 Days, Sound-less

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

MARKS/MARKS

MARKS/MARKS examines the relationship between the mark making of optical lens technologies (writing with light) and the mark making of painting within the context of digital technology and mass data. The film maps the movement of painter Dr Harrison Waed See in the studio painting to generate the tempo and trigger audio and visual effects. Similarly digital image sonification and digital data sonifcation of still and moving images of Dr See were used to generate further noise and visual effects. Alongside this, the soundtrack also includes amplifcations of the sound of his movements and paint brush.

MOROSE

On the Sea

A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.

The Phantom Fortress

“The Phantom Fortress” explores the relationship between the Elsau prison and its immediate surroundings. Through poetic and contrasting images, the film questions the presence of anxiety, noise, and stress, while also seeking to understand whether one can truly ignore the presence of a prison when living in its shadow.