A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.
A film made for the Central Office of Information concerning Britain's coastline, with music by Michael Nyman.
A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.
In July of 2021 there was a flood of catastrophic scope in the Ahrtal Region of Germany. 135 people lost their lives and countless others lost their possessions, their homes, their most treasured mementos. Three years later the reconstruction is progressing slowly. This is an attempt at exploring, what it means to irretrievably lose a part of ones’ past.
Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.
Aquatic life, textures, and viscera found along the Northern California coast.
An independent Brazilian band sets out on two international tours at different moments in time. Shaped by hardships and unexpected detours, the narratives intertwine, creating intense sensory experiences. Featuring footage captured by the band themselves, Between the Days is gueersh’s journey through South American underground.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.
An experimental portrait of Fernando Fernán Gómez, one of the most renowned Spanish artists of all time.
If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound.
The ten-minute Pragmatognossia plays with the letters of the Greek alphabet, through the voice of a small child who is coming out into the world for the first time. Old photographs, worn documents, faded seals, handwritten notes, tax registers, invoices, stamps, ... cracks in time but also little flames that keep the entire memory of the state alive, frame by frame".
A poetic documentary viewing the shared experience amongst people who have experienced loss.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.
Shifting subtly between figuration and abstraction, with Rothko-esque golds and reds, the hypnotic En Traversée by prolific and steadfastly DIY filmmaker Vadim Kostrov evokes the poetry of dislocation by way of a world in motion.
More than two decades after the Clean Water Act was supposed to make America’s waters clean enough for swimming and fishing again, two iconic waterways — the great coastal estuaries of Puget Sound and the Chesapeake Bay — are in perilous condition. With polluted runoff still flowing in from industry, agriculture and massive suburban development, scientists fear contamination to the food chain and drinking water for millions of people. A growing list of endangered species is also threatened in both estuaries. As a new president, Congress and the states set new agendas and spending priorities, FRONTLINE correspondent Hedrick Smith examines the rising hazards to human health and the ecosystem, and why its so hard to keep our waters clean.
May our smiles not be forced for your enjoyment and may our pains no longer be hidden. May my mother Yemanja help me. A short film about the pain we carry alone and that we only confess to the sea, which is life, but for us, black people from the diaspora, it's also a memory of a past of sadness and death.
The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.
