Yves Tissot
as Narrateur
Marcelino Palomo
as Pablo Picasso (voice)
Sonia Azcona
as Dora Maar (voice)
Eva Baehler
as Françoise Gilot (voice)
Sophie Pages Carril
as Geneviève Aliquot (voice)
David Lozach
as Alain Cuny (voice)
Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.
A mysterious woman returns to her mountain village home to confront her painful past. As she tries to uncover the long-buried truth, the local villagers accuse her of witchcraft and murder.
An anthropomorphic rabbit struggles to find peace and relaxation at home. These attempts are thwarted by a destructive shoulder devil, who takes glee in ruining any chance of tranquillity.
A prom queen-to-be must break free from her small town’s ominous legacy of prom queens who die after their crowning.
To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.
In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.
After a long and successful career as a skater, Veronica has stepped away from competing, but continues her legacy by organizing skateboarding workshops to teach young girls from indigenous communities to skate, and to push them to fight back for the public spaces that have been occupied by men and to practice a sport that also belongs to women.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
A talented artist creates a portrait of someone he has never seen before.
Piotr manages to buy a splendid though dilapidated villa from the eccentric 80-year-old painter Mimi. The woman treats him like her long-lost only son whereas Piotr tries to send her away to old people's home.
Desperately losing his mind while searching for a new pair of shoes, elderly Fred and his trusty talking Walker wander the City of Rott, saturated with thousands of rotting zombies driven to feed the blood-hungry worms residing in their skulls.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
A crossover between Julie from Heavy Metal 2000 and Dominator
Following World War V, a global-scale conflict fought with non-nuclear weapons that almost halved the earth's population, the city-nation of Olympus stands as a beacon of hope in a world of chaos.
Because of a bet, Werner and his friend have to construct the fastest vehicle to win a race, because life depends on it.
In the midst of societal conflict in the futuristic city of Metropolis, Kenichi and his uncle Shunsaku Ban set out to uncover the mystery behind the first human-like robot, Tima.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.