Glória Morgado Carvalho
as Self
Elizabete Pinheiro Dias
Tereza da Silva Rocha
Maria das Dores dos Santos
Josefa dos S. Melo
Antônia Maria de Oliveira
Bruno Carvalho
as Narrator
Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.
25 minutes in the Sahara, is a snapshot of the 34 years of division in which resistance and justice for the Sahrawi community has played out. 1500 seconds of images and voices are heard from exile; voices that are not silent under occupation; that speak as immigrants and that hold their own as an international human platform. 1500 seconds to open and not close your eyes to the reality of these men and women, part of our History. A present of robbed freedoms, properties exploited and forgotten by those who hold the key to the globalisation of toture and repression. A bid, at the end of division, to grant the Right to a Future in the Present, from the West and democratic action in the name of the Sahara.
Bubisher, as well as being 'the bird of luck', is a word loaded with literary meaning in Spanish in the Sahrawi refugee camps of Tindouf. Seeing the way in which two cultures interact through small stories and tales can is striking and so is the contrast between the resilience of the young female generations and the realities of life in the desert. This documentary paints a picture of a generation of young female Sahrawis.
A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
After the coup d'état on 1 February 2021, which brought the ten-year transition to democracy in Myanmar to an abrupt end, thousands of young urbanites, both men and women, gave up their lives to join the resistance against the junta.
“I Beg You To Like Me”, serves as a testimony of individuals who felt oppressed about their body image for not meeting the standard beauty criteria, and demonstrates how a reckless language based on others’ physical appearance could turn violent. It aims to achieve much more than simply stating the obvious, which is that we are not obligated to submit to the ideal beauty standards dictated by the media, consumerism and the beauty industry. The intimate stories about one’s own body image as told by women, men, disabled people and LGBT individuals make it apparent that any one of us could end up being a victim and a perpetrator at the same time. What if, this iconic body image is nothing but an unobtainable fallacy? “Is it not yet the time to openly discuss the conventional perception of beauty, and step up onto the catwalk in our actual likeness?
Since the military coup in Myanmar in February 2021, the Chin have taken up arms to defend their territory, their identity and their ideals against the all-powerful junta.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
A 90-minute special reuniting the main cast of the American sitcom, "The Golden Girls", where they share their favorite moments from the show, behind-the-scenes footage, and plenty of laughs
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
Documentary on the history of Ryhmäteatteri theatre company.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
Set during the Lebanese revolution, WE NEVER LEFT portrays a heart-wrenching duality between Beirut and New York, an impassioned testament to the Lebanese diaspora’s unrequited but irrepressible love for their homeland.
The world of pimping in early 1980s America offers a rare, unfiltered glimpse into a controversial underground lifestyle. Through exclusive interviews with the notorious figure “Harold” and his associates—Alice, Lori, and Karen—the film provides a nuanced exploration of the lives of pimps and streetwalkers and the ways their paths intertwine. With a focus on both the allure and inherent dangers of this lifestyle, the documentary reaches a sombre climax, shedding light on the tragic murder of Alice Franklin, one of Harold’s streetwalkers, later that same year.
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
Preschool to Prison is a compelling examination of how the United States public school system is built and operated like prisons. Zero-tolerance policies are used to justify suspension and arrests that set up a pathway to send children of color and children with special needs from school to prison. Children are being suspended, restrained, dragged, physically manhandled, and subsequently arrested for minor offenses such as throwing candy on a school bus. These personal accounts from people affected by the school-to-prison pipeline give riveting tales about the generational impact on society.
Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.