Paris Opera Ballet: Sylvia

The Little Mermaid

The San Francisco Ballet's performance of John Neumeier's ballet, The Little Mermaid. Composer: Lera Auerbach Conductor: Martin West Artists: John Neumeier, Yuan Yuan Tan, Lloyd Riggins Year: 2011-11 Run time: 02:14:00

Swan Lake

Perhaps the most popular ballet video ever released, this version of Tchaikovsky's beloved work stars one of the most famous classical dance partnerships of all time, Rudolf Nureyev and Margot Fonteyn. Nureyev choreographed this production for the Vienna State Opera Ballet. Two icons of 20th-century dance in magnificent form. Ballet authority John Lanchbery, former music director of the Sadler's Wells and Royal Ballet companies, as well as of American Ballet Theatre and Australian Ballet, conducts the Vienna Symphony Orchestra in Tchaikovsky's enchanting score.

Le Lac des Cygnes [Opéra National de Paris]

The Nutcracker (National Opera of Ukraine Ballet)

On Christmas Eve, a young girl has a dream... Emotional awakening, physical transformation, childhood that slowly merges into adulthood... behind what seems to be a tale for children slowly emerges a danced initiatory journey. And while children revel in Drosselmeyer's magic tricks and enjoy a good scare with the apparition of the Mouse King, the adults notice all the finesse that pervades this narrative and admire the virtuosity of the choreography.

The Wayward Daughter

La Fille Mal Gardée (The Wayward Daughter) is a highly acclaimed comedy ballet that appeals to audiences of all generations. Some of the finest dancers have appeared in this work by Sir Frederick Ashton, which has been staged at theatres around the world, including at the Paris Opera, Bolshoi Theatre, American Ballet Theatre, Boston Ballet and National Ballet of Canada. Audiences are captivated by the storyline: will the wild young Lise fight for her love despite her desperately overprotective mother? Will she marry her beloved Colas? Or will she listen to her mother’s words and accept Alain, who is wealthy but a little bit “out of his head”? This ballet celebrates the joy of life and, above all, love. It is colourful and full of humour, with dancers who simply make audiences smile.

The Stone Flower

Sergei Prokofiev's eighth and last ballet, written between 1948 and 1953. It is based on the Russian Ural folk tale The Stone Flower by Pavel Bazhov and is also the last of the trilogy of ballets Prokofiev wrote in the Russian ballet tradition. It was premiered posthumously in 1954, conducted by Yuri Fayer.

Billy Elliot

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Bolshoi Ballet: A Hero of Our Time

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

The Bolshoi Ballet: A Contemporary Evening

For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.

Woolf Works

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.

The Sleeping Beauty

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

The ROH Live: Jewels

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.

The Young Girls of Rochefort

In the seaside town of Rochefort, twin sisters Delphine and Solange dream of love and artistic fulfillment beyond their quiet lives. As sailors, artists, musicians, and chance visitors pass through town during a weekend fair, a web of near-misses and romantic longing brings ideal partners tantalizingly close—without their realizing it.

En Pointe

A Ballerina steps out of her box for one more dance

Hypothetically Murdered

In 1931 Shostakovich wrote a full-length score for the Leningrad Music Hall, for a show that involved many of the leading entertainers of the day, as well as dancing girls, a jazz band, a dancing dog, sequences of silent film, simulated air-raids and gas attacks, a lorry, a storm, waiters and waitresses in a luxury restaurant, river nymphs and even a scene in Heaven with the Devil, the Twelve Apostles, the Archangel Gabriel and all the other angels doing a blasphemous knees-up. The show was naturally a momentary scandal and the score soon disappeared. In 1991 Gerard McBurney reconstructed from the surviving sketches a sequence of 21 of the orchestral numbers to make a hilarious sequence of gallops, saucy polkas, marches and schmoozy waltzes.

Russian Dolls

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

Pas de Deux

It’s 2019 in Boston, MA, and 18-year-old Billie, a pre-professionally Vaganova-trained ballet dancer, has four months until her final pas de deux exam. She has one goal: to be better than Gia, the best dancer in the class, a ballet “unicorn", and the girl who just became Billie's new roommate. Is it just rivalry and envy, or is there something else at play?