Luis Henrique Santos Ribeiro
as Dante
Gabriel Santana
as Paulo
Verena Novaes
as Beatriz
Emily Fagundes
as Rosalia
Victor Emanuel
as Levi
A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.
A first-year film student is invited to document an eccentric audio engineer's historic discovery but finds himself more enraptured by the idiosyncratic inventor than the discovery.
Liminal explores the everyday sensation of being in-between, offering a moment to consciously experience what we usually pass through unconsciously. Set in the flow of a metro station, the film reflects on transition, estrangement, and fleeting pauses in motion. As a fashion film, Liminal treats clothing as lived self-presentation in transit, where silhouette, posture, and shifting light shape how a body is read within public space.
A young artist is caught in a physical and mental battle against a supernatural entity that forces him to free it from its dark prison, ¿or is it just his imagination?
A loop of a guy in Maine hanging out in his room.
Lost in inertia and apathy, a young man wanders through his own emotions — or what’s left of them.
Something is staring at me from the corners of my house.
Experimental film "Presence has all the things that life can have in itself. But living as a stranger in today's arena, how much does it desire to communication?
One morning, a girl wakes up and it seems she can make time stop with her eyes.
A man wakes up in the desert, where a mysterious door and guide stand before him.
An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".
“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.