Rite: Walking Performance

MD: The Art of the Tactical Carbine

With extensive combat experience around the globe, instructors Travis Haley and Chris Costa cover not only the basic fundamentals and "how to" aspects of the carbine but also the "mindset" required to employ a carbine effectively in dynamic stress situations.

People Passing By

In under 3 hours for the annual Joel Haver’s “Make a Movie During the Oscars”, Clenny Kwok documents the crowd of Chatswood on one normal day.

EGGspression

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

New Us

A metaphysical odyssey of the Individua members as they grapple with mysterious masked figures and the imminent waiting for them at the end of the snowy forest.

Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Tarotxorcismo

unbroken rhythms

a poem. trees. fragments of fritz. love—and nothing besides!

The Story of the Weeping Camel

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

An immersion into the Divine Feminine

By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.

Where

The ninth opus of his Walker Films series, which was shot at Centre Pompidou.

Brujas

Tales of Sand and Snow

In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits an Aboriginal band, the Atikamekw of northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.

Retrato permanente

Eyes of Stone

A young woman's story of possession and healing in rural Rajasthan

The Man Walking to the River

In the haunting stillness of post-Soviet suburbia, a lone man walks with purpose — toward the river. With each heavy step across the gray, lifeless field, he carries not only his own weight, but the burdens of an entire generation. He does not speak. He does not turn back. We do not know his name. But we know where he’s going. The River awaits. A meditation on isolation, purpose, and the absurdity of existence, "Идущий к реке" captures the Slavic soul in a single low-res frame. What started as a simple clip from a local Russian TV segment became a viral icon of stoicism, despair, and meme-worthy introspection.

5 miljoner steg

Viktor Jinnevång has decided - he will travel from Norrköping to Fisterra in Spain. By foot. Nothing is impossible, is it? Alone with his camera, we get to follow Viktor's five million steps towards freedom.

Walking

Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.

Stochastics

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6) black and white film on which each roll takes twelve pictures.

Shadows of Light

Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.