Here is a graphic picture of the tobacco harvest in southwestern Ontario. At the end of July, transient field workers move in for a brief bonanza when the plant is ripe. The tobacco harvesters call it "the back-breaking leaf."
Stanley Jackson
as Commentary
A portrait film of Eastern Ontario directed by Peter Pearson who’s films include the award winner’s like “The Best Damn Fiddler from Calabogie to Kaladar" (1968) and the classic Canadian feature film, "Paperback Hero" (1973). "Seasons in the Mind" includes a talent show section set in Arnprior, Ontario.
John Lowry's 1971 Ontario travelogue "Home by the Waters" (featuring a haunting theme song by Tommy Ambrose) was shown at the IMAX Cinesphere in Ontario Place for a short time in September of 1971.
“Where the North Begins” was one of the 4 original regional portrait films commissioned for the first season of Ontario Place (the others being "North of Superior" (IMAX), "Seasons in the Mind" (70mm), and "Home By The Waters" (35mm anamorphic). The film was directed by David MacKay who was the producer for "A Place to Stand" and then directed "Ontario-oh!". Although "Where The North Begins" was commissioned by the Ontario government, Dave's subversive and wicked sense of irony does come shining through, as does his heartfelt beliefs.
A documentary that looks at systemic sexism faced by women scientists in STEM fields.
A fast-paced collage of Ontario life. Highlights include a rollercoaster ride, a hair-raising speedboat skim along Ottawa's Rideau Canal, a downhill ski run through the trees on a Thunder Bay trail, and the sleek beauty of a small fleet of ice boats whistling over a gleaming lake.
History of yellow tobacco cultivation in the regions of Joliette, Berthier and Trois-Rivières. The documentary describes the care and work required for this crop and pays tribute to the producers whose efforts have made it possible to introduce and maintain this highly specialized industrial crop in Quebec.
2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.
The second IMAX film made, commissioned by the Ontario Government, and produced by MultiScreen Corporation, later to become IMAX corporation. North of Superior is a Northern Ontario travelogue, and was the first short feature to be shown at the newly created Ontario government theme park, Ontario Place, in it's state of the art cinema, Cinesphere, the first permanent IMAX installation.
Summer unveils a new blueberry season in northern Canada. The fields are covered in blue and workers from all over scramble before the frost puts an end to the harvest. And yet this time of year is much more than just picking: it's a time of music and connection.
Picturesque scenes of land girls gathering hay on an Essex farm during WWI.
Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.
Set in the rural town of Marmora; the home of Punkfest, arsenic poisoning, radioactive pollution, and visions of the Virgin Mary.
Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
When Jennifer Pan calls 911 to report that her parents have been shot, she becomes the primary focus of a captivating criminal case.
This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.
Documentary about the last four seasons on the farm run by the director's parents. The film starts on 1 January 1992, at 6 am and ends in a misty landscape at the end of that year. Het is een schone dag geweest (It's been a beautiful day) shows the end of a farm venture for which no successor has been found, but also the disappearance of a traditional way of life. Modern agriculture is ruled by new regulations, largely made in Brussels. Lonely work on a noisy machine replaces hard but communal work on the land. In a disciplined style, the film shows the disappearance of a traditional lifestyle in part of Holland. Het is een schone dag geweest was ïn 2007 admitted to the "Canon van de Nederlandse Film", a list of the most important Dutch films. (filmcommission.nl)
