In 1952, Haanstra made Panta Rhei , another view of Holland through the eyes of a painter and filmmaker. Its poetic images of water, skies and clouds reflect Haanstra's own moods.
2012: Time For Change is a documentary feature that presents ways to transform our unsustainable society into a regenerative planetary culture. This can be achieved through a personal and global change of consciousness and the systemic implementation of ecological design.
For two centuries, the Sycamore Gap tree stood as an iconic sentinel along Hadrian's Wall, shaping the landscape and lives of Northumberland. Its sudden destruction triggered an international outpouring of grief. This film examines the tree's cultural and emotional significance through local voices, highlighting the enduring power of history in our present.
Short documentary directed by Jean Vigo about the French swimmer Jean Taris. The film is notable for the many innovative techniques that Vigo uses, including close ups and freeze frames of the swimmer's body.
The personal collaboration between Kiran Acharya and Clint Mansell is an early combination of documentary film and augmented reality.
What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
A short documentary that discusses gender and reconciling with the past.
Restore the classical definition of planet! Bring back planet Pluto! The solar system is twelve!
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.
In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).
An obsessive exploration of the three geometric dimensions in hopes of reaching a fourth.
Partly a parody, partly a mockumentary, partly an essay film - and also an actual behind the scenes documentary of two short films.
"In an era where information flows faster than air, the truth is being besieged. 'The Illusion Industry' is a documentary film that deconstructs the sophisticated tactics of fake news and psychological warfare. From the streets of Iraq to the global digital stage, the film analyzes the 'Illusion of Truth' effect and 'Confirmation Bias,' supported by data from MIT and Oxford. It is a visual manifesto that challenges the viewer to reclaim the courage to think." The film serves as the practical cinematic component of the director's comprehensive academic research on digital deception, permanently archived and accessible via the [Zenodo Academic Repository](https://zenodo.org/records/20748757).
By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.