The Grove is the second part of Lawrence Jordan's H.D. Trilogy. It continues what began with THE BLACK OUD (again featuring Joanna McClure as the catalyst) and concludes in STAR OF DAY.
Joanna McClure
as
All but abandoned by her family in a London retirement hotel, an elderly woman strikes up a curious friendship with a young writer.
Hum lives in a refugee camp near Hamburg. He loves films and finances his visits to the cinema by selling lost properties from cinema visits in the refugee camp. One day he meets Anna and her friend Ida. At a dinner together in the shared flat of the two, they find out that they all share a love of music. Anna and Ida can sing great together and Hum shares the contact with his friends who play in a band. A timid and touching love story develops between Hum and Anna. Both are looking forward to the first performance of the band, in which Anna now sings. But shortly before the performance, Hum is to be deported. Neither his love for Anna and music nor his imagination can save him from the everyday life of a refugee.
One summer evening in a small town in France, two teenage boys, Clarinet and Piano, say goodbye. For twelve years, they rejoin each other at irregular intervals in the same town, discussing their ambitions as they drift apart. Michaël Dacheux's 'Here and There' is a delicate exploration of the eager aspirations of two young men, wise beyond their years yet still innocent in their experience.
Dragphoria is a short film about drag and identity, finding yourself in a noisy crowd, and slowly accepting yourself after a long-awaited denial.
Amiran is sold to a brothel by a corrupt cop after her father testifies against him. Many years later, she grows up to be an accomplished poetess and a renowned courtesan, Umrao Jaan.
The Black Oud represents a subtle new direction in documentary. I have used the term 'bio-documentary' to describe this slight, though essential, difference between my film and the majority of personal or experimental documentaries made in the last decade.
The film is simply the internal, subliminal (poetic) thoughts of an aging woman poet as she travels the world, alone, probably for the last time, thinking of a friend she has lost. Finally, she returns home to write ("write or die"). These story elements are all included in the last long poem of H.D. when she was in her 80s. - Lawrence Jordan
In a haunting night, *Orang Malam* tells the story of Kimung, a man haunted by 750 years of solitude and the disappearance of his beloved Cempaka. He meets Dirah, a mysterious woman carrying her own burdens. Together, they share stories of heartbreak and injustice, confronting questions of fate and redemption. This poetic film explores memory, love, and resilience amidst despair. DOI: 10.5281/ZENODO.15477686
Set in 1980s Sweden, an immigrant boy navigates a chaotic world of identity, love, and belonging. A kaleidoscopic journey through fragile places where acceptance lives.
Childhood sweethearts from opposing social standings are separated when one's family moves elsewhere, leaving behind only a watch as a token of their friendship. Years later, as adults, they strive to meet again.
Submersed in "bro" culture, a fraternity brother's obsession with a poem and its poetess begin to inform him more about himself than he is ready to accept.
A dreamlike cinematic poem about a family. A boy runs an errand for his mother and realizes that she is dying. A man attends the funeral of a former lover and speaks to her ghost. A woman learns to appreciate the little things around her in everyday life. Meanwhile, in another place at another time, a young girl tries to photograph an incredibly beautiful snow landscape.
An ethereal trip to Lana Del Rey's conception of Adam and Eve story. In the beginning as sinners, they the fall from heaven, away from Marilyn and Elvis, to earth where Del Rey and Ross are played with Latin-American offspring. Amused, they struggle with the decadent life this culture supposedly live.
William Franklin is a teacher who was born in Ireland and moved to the United States only to repatriate in 1939 after his leftist political views cause him to lose his job. Franklin becomes the first non-cleric instructor at St. Jude's, a school for wayward boys run by Brother John, who is a firm believer in strong discipline.
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
A South Korean woman in her sixties enrolls in a poetry class as she grapples with her faltering memory and her grandson's appalling wrongdoing.