A compilation of scenes from Sai Enterprise's Guinea Pig, Ginî piggu 2: Chiniku no hana, Ginî piggu 3: Senritsu! Shinanai otoko, and Ginî piggu 4: Pîtâ no akuma no joi-san.
Well-known Croatian author Pero Kvesić, who has been struggling with a severe lung disease, documents his death from his own point of view. Recording his everyday struggle, the picture resembles a peculiar blog filled with self-irony and witty comments about life and death. Although the world around continues to shrink, the hero and the director in one does not cease to fill it with sense.
Somewhere in Myanmar is a forest rich in amber and controlled by the Kachin Independence Army (KIA). Most of its inhabitants work in a mine, digging the earth night and days in the hope of finding the precious ore that will get them out of poverty. But on top of the excruciating hardship of the work, they also have to fear an attack from the army.
A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.
Switzerland is the only country in the world that allows foreigners to come and die on its territory. Since its founding in 1998, more than a thousand people have traveled to Zurich to end their lives with the help of the organization Dignitas. "Dignitas - Death on Prescription" is a documentary about an organization that provides people with terminal and incurable illnesses, intense unrelenting pain, and depression with a peaceful death. The organization's founder, lawyer Ludwig Minelli, is often the target of insults, especially from politicians, despite the fact that most Swiss citizens support the option of medically assisted suicide.
In an intense action-filled 85 minutes, you will learn to defend yourself against the mounting threat of “knife culture” offenders.
Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
As a “spiritual follow-up” to 'Fin', 'Death Boom' “pulls back the curtain on the catastrophic mental and environmental impacts of the contemporary death care industry. The film, shown through the lens of the workers at the heart of it as they prepare for the passing of 77 million baby boomers, exposes the toll that embalming, cremation, and traditional burial have on those who’ve passed, their families, and deathcare workers, and the corruption – political, religious, and corporate – that stands in opposition to greener methods being nationally legalized and accessible.”
Examines the intergenerational impact of addiction by chronicling the love, labor, loss, and uncertainty of one woman’s struggle to live a life of sobriety. Weaving together moments of glee, fulfillment, acceptance, sorrow, and disappointment, this documentary takes an intimate look at the bonds that hold one family together and a disease that threatens to tear them apart.
My Flesh and Blood is a 2003 documentary film by Jonathan Karsh chronicling a year in the life of the Tom family. The Tom family is notable as the mother, Susan, adopted eleven children, most of whom had serious disabilities or diseases. The film itself is notable for handling the sensitive subject matter in an unsentimental way that is more uplifting than one might expect.
In August 1997, the tragic death of Diana, Princess of Wales, stunned her family and catapulted the British public into one of the most extraordinary weeks in modern history. What was it about Diana that resulted in such an outpouring of grief? And what does that week reveal about Britain's relationship with the monarchy, then and now?