Inés travels to India to visit her friend Ámár, who has been living in a mental institution for years. Inés remembers the last days they spent together and her promise to return.
Mickey, Minnie, and their famous friends Goofy, Donald, Daisy and Pluto gather together to reminisce about the love, magic and surprises in three wonder-filled stories of Christmas past.
Paper sample books discarded and dumpstered by long-gone businesses undergo a series of sequential experiments in pattern, rhythm, colour and text(ure). A call and response of flickering and lingering, this catalogue of catalogues remembers a tactile economy.
'Tie-dye' film study. Psychedelic patterns and colours mix on the various materials then explode onto the retina. The 16mm material perfectly captures the details of the materials.
A shiny otherworld of holographic reverie pairs dollar store gift bags and haunting resound, unfolding an effervescent melancholy in three parts. Mesmerising RGB bling-bling for the cinema, featuring compositions for bowed vibraphone by Elliot Cole.
Several scary black-and-white animated segments in different styles appeal to our fear(s) of the dark.
Which efforts do we value in society and is it only in the world of sports that you have use of a good swing? Maybe it’s grandma “the rugbeater” that is the best athlete of all time.
The future, the space. Sonia is about to be transferred from her station to a newer one. Although everything seems to be going well, Sonia's mind is actually elsewhere, haunted by tragic events from the not too distant past.
In a dystopian world where touch is forbidden, Matta and Matto offer refuge to the lonely at Hotel Vaip. In the deceptive labyrinth of mind-bending rooms at their transient hotel, deepest desires are fulfilled and surpassed, but this comes at a price.
The adventures of the wandering musicians from Bremen such as Troubadour, Donkey, Dog, Cat and Rooster. In one of the towns Troubadour falls in love with a Princess and makes up a plan how to get the King's confidence.
An anthology of various tales told in various styles with robots being the one common element among them.
Camille's life is ruled by the ring of the alarm clock each morning. Her well-ordered life consists of preparing her cat's meals, and hearing the familiar sound of the automatic till in the store where she works as the cashier. But one day, a man enters her home without her knowing and starts living there during the day while she's at work. Little by little, he will free her from her chains.
Life in Solby is nice and peaceful until one day Mitcho and Sebastian find a message in a bottle by the harbour. The bottle is from the missing mayor of Solby with a message that he is on a mysterious island and has made a great discovery. Now they must embark on a perilous journey to help save the mayor and bring him home, and in the process they uncover something that will bring great pleasure to the city of Solby – a giant pear.
Short directed by Lotte Reiniger.
Home-video footage of infants playing transforms into an experimental display of rotoscope animation.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
A heroic version of Lex Luthor from an alternate universe appears to recruit the Justice League to help save his Earth from the Crime Syndicate, an evil version of the League. What ensues is the ultimate battle of good versus evil in a war that threatens both planets and, through a devious plan launched by Batman's counterpart Owlman, puts the balance of all existence in peril.
She Collage is part response to the work of Southern California–based collage artist Terry Braunstein, part reflection on the practice of art-making. Like Braunstein's art, the film is itself a collage—in this case, frame-by-frame hand-manipulated images of Braunstein, paper cutout stopmotion animation, archival footage, and an assemblage of sounds.
The everyday life of a Monkey is interrupted by a randomly seen advertisement on TV, in which someone named Mister Success invites the audience to become successful and cool by trying to win a talisman toy from the UFO catcher. On the way to success, the Monkey will have to face the guy from the advertisement, and only a dance battle will show which of the two of them is truly successful