Lady Macbeth of Mtsensk

A stage performance of the Shostakovich opera, filmed at the Gran Teatre del Liceu in Barcelona.

Cast

Nadine Secunde

as Katerina Ismailova

Francisco Vas

as Zinovi Ismailov

Anatoli Kotscherga

as Boris Ismailov

Mireille Capelle

as Aksinya

Graham Clark

as Shabby Peasant

John Hurst

as Teacher

Juha Kotilainen

as Chief of Police

Maxim Mikhailov

as Priest

Nino Surguladze

as Sonyetka

Christopher Ventris

as Sergei

Reviews

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Both Florez and Diana Damrau brought their bel canto expertise and superb vocalism to the service of Verdi's music. The Rigoletto, Zeljko Lucic, ran the gamut from tenderness with his Gilda to thundering fury with everyone else. I also liked the production. At first, when Rigoletto was putting on his grease paint during the overture, I was afraid that it might be a typical "Euro-trash" production, with a bit of warmed over I Pagliacci. But the sets and dramatic action really served the music and libretto. I would have to say that I came to a deeper understanding and appreciation of the story and characters as a result of seeing this performance.

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Rigoletto - Festival d'Aix-en-Provence

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Il Trovatore

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Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.

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Janacek: Jenufa

"Yenufa" is an outstanding phenomenon in the music of the 20th century. Drawing on Moravian folklore, Janáček faithfully and deeply conveyed the drama of a peasant girl. The composer followed the path of Mussorgsky, revealing the spiritual life of people through the recreation of intonations of living speech. The libretto is based on a drama written in a naturalistic manner. Free from naturalism, Janáček's music has powerful emotional strength and psychological truth. It was written during a difficult period in the composer's life (illness and death of his daughter).

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Rossini: Il Barbiere di Siviglia

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