The real story about the camel ride around Mallorca, that journalist Miguel Vidal and painter Gustavo Peñalver did in 1964. Sometimes truth is stranger than fiction. This is one of them.
George's Creek Baptist Church is ending. There is no new generation to inherit the church. For the elderly congregation, their stories are coming to an end as well. The church's pastor, Earl, experiences his own passing echoed in the degeneration of his wife's Alzheimers.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.
For the past 4 years a devout Catholic Andre Levesque has been performing dance shows inside the trains of Montreal's underground metro. Using old school pop and rock music hits as the accompaniment to his amateur dances, he devotes his performances to Jesus Christ and Virgin Mary.
A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).
During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.
Twenty-five films from twenty-five European countries by twenty-five European directors.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
After her gender identity was denied in her homeland, Lee Li, a transgender asylum seeker, was forced to leave her country, family, and language to embark on a journey toward belonging, freedom, and self-empowerment.
In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.
The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.
Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.
The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.