Short experimental 16mm film.
Tatjana Martinac
as The girl with glasses
Borko Niketić
as The guy with a cigar
Mirjana Vukmirović
as The girl who sits in a chair
Mirjana Živković
as The girl who plays piano
Ješa Denegri
as The guy with black glasses
Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors
A meditative journey, using and manipulating archival silent film footage, that investigates the look of the "New Woman" in Chinese silent screen.
Return to 'burn' only to find out you're already in that urn.
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton
Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
The town Minot is home to a U.S. Air Force base that guards 150 nuclear missiles buried in northern North Dakota. The weapons of mass destruction placed there 50 years ago are still targeted at Russia. Minot, North Dakota portrays an American landscape where people live with nuclear bombs in their backyard.
Alex and José, is a 16mm single channel projection that explores gender, movement and form.
A silent film portraying winter across three continents.
Still Life gazes unflinchingly at the violence of war, observing the eerie architecture of the West Bank and Gaza Strip collapsed under Israeli occupation. This portrait provides brutal witness to how government sanctioned destruction metes upon structures of home and State. Unlike the mediated images of current warfare, Still Life examines the effects of the destruction of Occupation through the details of cinematic landscapes and its inherent inhabitants. In its relentless questioning reaffirmed with a unique and unremitting soundtrack by composer Zeena Parkins, Still Life forces us to focus on details of devastation.
A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of the rituals of devotion.
Bubble is a short film performed by Zeena Parkins and the Plastic Girls, Eleanor Hullihan and Erin Cornell in a public park in Brooklyn, NY.
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
White Sands is a 3 screen projection 16mm film installation which reflects on the visible and invisible manifestations of the nuclear fuel chain on the land, air, water and people of New Mexico.
If Not is a meditation on love, inspired by If Not, Winter by Sappho, translated by Anne Carson. Filmed in Ephesus and Brooklyn.
“Past Perfect” is a spirited meditation on the elusiveness and inaccessibility of (Jewish) history as conveyed through sightseeing tours of “Jewish” Poland, a grandmother’s recollection of life in America during War II, and memoir-like “last moments” of a great aunt believed to have died in Treblinka. Shot almost entirely in contemporary Poland, “Past Perfect” lyrically portrays the relentless yet ultimately futile attempt to resuscitate a history literally gone up in smoke.
Sites Unseen is a 3 channel 16mm projection of the Jewish cemetary in Warsaw, a photograph of a great Aunt who died in Treblinka, and my late grandmother eating her morning cornflakes.
A super 8 projection which references the essay “On the Jewish Question” by Karl Marx.
This experimental video breaks the many silences surrounding lesbians and AIDS. Interweaving the voices of two friends, Internal Combustion reflects on the often unspoken tensions within this epidemic of survival and power and mourning and loss .