Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
Werner Herzog
as Narrator (voice)
Edward Lachman
as Self
Jörg Schmidt-Reitwein
HOMELESS is a documentary that humanizes unhoused people and explores their backgrounds, dreams and struggles to find the way home. The film aims to raise awareness and funds to end homelessness, which is an ever more urgent global challenge: The United Nations Human Settlements Program estimates that 1.6 billion people live in inadequate housing, and the best available data suggests that more than 100 million people have no housing at all.
The first light of dawn. The sound of a boat and the screech of birds fill the wide expanse of sea. Black rocks emerge from the water, the “sciara” – the volcanic scoria – of Stromboli, the underwater sulfurous emanations, the layers of reddish rock eroded by the sea. The roar of the volcano can be heard, the flames and the liquid lava are thrown skyward. As nature unleashes itself, the fishermen row toward the shore, the sheep stray and the women return home.
This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.
Marko Röhr's film crew takes the viewer to Europe's last unexplored area: Iceland's unique underwater world. We explore the geysers of boiling waters and the crystal clear lakes off the coast of Iceland. We dive under the icebergs, into the tears between the continental plates and into the deep caves.
Report on vandalism
Aundrey Burno, a black youth looking down the wrong end of a murder charge -- for which a conviction could result in a lifetime in prison -- appears to be the epitome of an unrepentant thug. Speaking to viewers, he claims to have done whatever was necessary to survive on the mean streets, to earn the respect of his criminal peers. But as his case progresses and his younger brother, Kevin, faces the same choices he did -- to become a thug or not -- a very different Aundrey reveals himself.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.
A documentary short detailing the life of Italians living on the Po River in the 1940s.
A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."
With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.
A doomed love triangle between intrepid French scientists Katia and Maurice Krafft, and their beloved volcanoes.
Join affable presenter Nigel Marven as he explores El Salvador, the volatile land of volcanoes with a colorful culture and natural history. Follow along as he climbs an active volcano near the capital San Salvador, comes face-to-face with a crocodile, cuddles a caecilian, fights fire with fire, dives deep into a volcanic lake, and discovers the Pompeii of Central America.
The recession of the 1980s split the country into the haves and have-nots, from family farmers to factory workers and homeless people forced to live in decrepit welfare hotels. On the verge of losing everything, courageous Americans discover the power of community organizing to fight injustice.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
A black-and-white visual meditation of wilderness and the elements. Wildlife filmmaker Richard Sidey returns to the triptych format for a cinematic experience like no other.
In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.
