Correspondent Nick Schifrin and producer Zach Fannin take us inside Vladimir Putin's Russia, with an in-depth look at the resurgent national identity, the government's propaganda machine, the risk of being a Kremlin critic and much more.
Nick Schifrin
as Himself
August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...
The strange case of Mikhail Khodorkovsky — once believed to be the wealthiest man in Russia — who rocketed to prosperity and prominence in the 1990s, served a decade in prison, and became an unlikely martyr for the anti-Putin movement.
The documentary follows Oleg, Andrey, and other long-distance truck drivers from all over Russia, who turned their outrage against the 2015 bill that required truckers to pay taxes when driving on federal roads into a 9 month long protest.
Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…
Laika, a stray dog, was the first living being to be sent into space and thus to a certain death. A legend says that she returned to Earth as a ghost and still roams the streets of Moscow alongside her free-drifting descendants. While shooting this film, the directors little by little realised that they knew the street dogs only as part of our human world; they have never looked at humans as a part of the dogs’ world.
The CIA hears of a KGB scheme to assassinate the Soviet General Secretary and enlists Stoner, an agent retired for 10 years, to go to Russia to investigate. He verifies the plot, but then has trouble leaving the country. In the meantime, the U.S. policy makers struggle over whether or not to inform the Soviets of the plot. Stoner's problems are complicated by the renewal of an affair with Anna, a Russian, as he tries to convince her to defect.
Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.
In 2008, Natasha, a newly rich woman, decides to open an independent TV station in Russia and builds an open-minded team of outcasts. By 2020, Natasha has lost everything to Russia's war between Propaganda and Truth.
For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.
Inside the secret world of Sergei Pugachev, a Russian oligarch, and his British partner Countess Alexandra Tolstoy, mother to their three children.
Sparky Smith (Joe Mantegna) was manager of the Seattle Mariners until he had one too many shouting matches with the team's owner (Michael Lerner) and winds up fired. Now Sparky's ready to coach any team who'll have him. The only problem is, no one will, until the day the Russian Sports Ministry led by the delectable Tanya (Natalya Negoda) comes knocking at his door. The Russians need a baseball coach for their Olympic team, and Sparky is just the man for the job. Once on Russian soil though, he soon discovers that the Russian team is composed of athletes, hockey players, and shot putters who barely know their way around a diamond. Confronted with this losing team, hilarious comedy ensues when Sparky is told to accept an invitation to have his team visit the States and play his old team the Mariners.
Traces the new Cold War between Russia and the West from the ban on American citizens adopting Russian children to the Kremlin’s anti-LGBTQ campaign, which positions the international marriage equality movement as a national threat.
After 20 years of living in Berlin, the director Olga Delane goes back to her roots in a small Siberian village, where she is confronted with traditional views of relationships, life and love. The man is the master in the home; the woman’s task is to beget children and take care of the household (and everything else, too). Siberian Love provides unrivaled insights into the (love) life of a Siberian village and seeks the truth around the universal value of traditional relationships.
Russia is a highly developed, wired, and educated nation, but endures third-world levels of corruption and a repressive, autocratic government. Many Russians explain this paradox by citing the Russian soul, a unique national mindset, born out of their turbulent history that wants dictatorship. Is that possible, or are free speech and democracy universal values?
The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.
Stories from the lives of the tenants of the Moscow's communal apartment: Kostik, who is a college student, lives with his aunt while studying; Arkady Velyurov who is a performing artist; Khobotovs, who are a divorced couple; and Sava, who is Margarita Khobotov's new fiancé. All these people live in one apartment and their lives constantly touch each other's.
“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.
