Beirut, Never Again

Objects of War

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

Beirut, My City

In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.

We Loved Each Other So Much

Inhabitants of Beirut talk about their love for the singer Fairuz.

Lebanon in a Whirlwind

A few months after the incident of April 13, 1975, during which Palestinian civilians were machine-gunned by Phalangist militiamen, the toll is most tragic: six thousand dead, twenty thousand wounded, incessant kidnappings, a semi-destroyed capital. This film traces the origins of the Lebanese conflict, the perception of a society that goes to war while singing. A unique document on the Lebanese civil war. Beyond the religious war, the painting of a social and political reality that has not changed much, more than four decades later.

Beyrouth, Le Dialogue Des Ruines

Architecture in Beirut was the second greatest victim of the civil war, with pages of ancient and modern history erased by the end of the conflict. This documentary interviews citizens calling for a reconstruction plan that would preserve Beirut’s spirit of culture and openness.

Kidnapped

“Al Makhtufun” won the 1998 Best Short Documentary Film Award at the Mediterranean Film Festival for highlighting the issue of abducted Lebanese. The film raises two major issues: The abductee’s physical absence and his spiritual presence among his family members, and the parents silently wishing his return. The documentary looks at documents kept by Wadad, a mother who decides to step outside her comfort zone and share her papers and forms when other parents would not.

The Green Line

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

Wine and War

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

So the Lovers Could Come Out Again

Perched in a tower high above Beirut where they monitor the world below through their sniper lenses, two soldiers in the Lebanese civil war find love in their watchful seclusion. The film sketches a humanistic portrayal of two men in love at war and the fragile and violent circumstances that allow them to stay together.

Perhaps Today...

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

Incendies

A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

West Beirut

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

The Razor's Edge

Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.

Les Libanais, otages de leur ville

Jocelyne Saab toured the city of Beirut devastated by Israeli bombings. She assesses the number of victims and the extent of the destruction.

Argentina del Bicentenario. Las voces y los silencios.

Rise Up

Who is the definitive modern role model for mankind? Is it a politician? A writer? A scientist? Twelve remarkable children from around the world give their answers.

Burning Dreams

The film sketches the lives and tribulations of some of those kids the college girl on summer break, the boys from the neighbouring province who only want to do hip-hop and through them we get a real glimpse of what makes Shanghai today a promising big city.

They're Trying To Kill Us

Eschewing the glaringly color-blind format of many other documentaries interested in advocating for plant-based living, They’re Trying to Kill Us utilizes its specificity as an act of community care and offers up a new vision of what veganism might look like for communities of color who have been systematically targeted by nutritional and environmental racism.