Ki-No-Ko is a surreal five-minute short film published on Art of Silent Hill, Lost Memories: The Art & Music of Silent Hill and The Silent Hill Experience.
A lensless exploration of hair on 35mm film.
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
Torn from their home by a hand in the sky, colorful entities seek freedom from a rigid binary in this short experimental animation.
In this animated short, simple geometric forms as thin and flat as playing cards constantly form and re-form to the sound of the koto, a 13-stringed Japanese instrument.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, spawning arrays of divisional articulations in time and space.
A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.
Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.
Sixteen 'objects', each consisting of one hundred points of light, perform a series of precisely choreographed rhythmic transformations. Accompanied by the sound of a Shakuhachi (the Japanese bamboo flute), the film is an exercise in the visual perception of motion and mathematical structure.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
A trip towards abstraction, as an hypothesis on how mountains might have been formed.
A painter with artist's block is sent on a disorienting journey after a mysterious painting appears in his home.
Rose, a desperate mother, takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears, and Rose embarks on a horrific journey to get her back and begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
The world shifts subtly while silent watchers already understand.
A hand moves gently, its presence shifts continuously.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.
A Dream... is an abstract, horror piece that explores the subconscious mind of modern, western man, touching on cultural guilt, self deception, and maintaining individuality in an impersonal world. The work is inspired by the writings of Franz Kafka.