Robot King, an invincible robot weapon from space, protects Earth from an invasion by spacemen who seek to conquer the Earth using a destructive machine that can annihilate the entire galaxy.
An elliptical, pictographic animated film that uses flat, painted figures and collage elements in both two and three dimensional settings to explore the realms of memory, language and identity from the point of view of a woman amnesiac.
In 2195, women rule the world and men dream of getting married.
Animation feature ostensibly about the adventures and romance of two Interpol agents, called upon to investigate a sensational art theft. At the same time, the film pokes fun at the contemporary art world - in particular Joseph Beuys's statement that 'everybody is an artist'.
The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?
When in 2089 humans become an out-of-date concept, the only way to survive is to integrate into AI constructs. Yet Luc — a rebellious ballerina — would rather die than conform. But when she meets an odd robot Azul, the idea of integrating into a better version of herself suddenly sounds tempting.
A brother and sister are hibernating. Only the sister wakes up. Human hibernation blurs the boundary between people and animals. A thought experiment equal parts sci-fi and meditation shot in searing images.
A woman ponders over the strange coincidences that made her forefathers and -mothers meet and create the premises for her becoming the person that she is.
Give it time. You'll get over it. Jean celebrates his birthday, gets drunk and recalls the dreadful weekend that led to his break-up with Mathilde.
Four adults are detained in their apartments with only each other and a computer for online company. They each come from a different class with differing views but they all have one defining purpose to understand why they are really being held hostage in their own homes. The AI refuses to reveal the reason.
Stranded on a countryside road, Jess meets a stranger. Her encounter is told as both a horror and romance, but only one is true.
Six friends go on a road trip to Sin City. On the road trip they have an encounter with a UFO. Plum takes control of the situation, finding herself in the middle of it all with Jack the leader from the other planet. Dr. Hollins, Scientists Tara and Landon all try to save the world.
Black and white animation based on Munch's art of work. The image changes gradually and resembles at one point The Scream.
Two friends seek spiritual salvation in India, away from their hedonistic and disconnected London lives, in advance of the impending collapse of the Cosmos.
Margaret Tait described this title as 'An eightsome reel played by Orkney Strathspey and Reel Society, recorded in about 1955 - 1956, later transferred to 35mm optical stock with clear picture and gradually painted over the years. Eights of different things - figures, antlers, or sometimes just blobs in tartan colours - dance their way through the figure of the reel.
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
Two people whose love is a force that can never be changed, no matter how much its surroundings may change. A unique take on the timelessness of romance.