All day of St. Petersburg bohemia in 4 minutes of the film.
Vladimir Ignatiev
as Поэт
Mark Nahamkin
as Марк
Dmitriy Shibanov
as Димон
Konstantin Arefyev
as Костя
Natalya Surkova
as Наталья
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.
The man needs the trip. The job impedes him to do so. Then the man stuck to his chair! Loosely based on a short short story named "A Man Called Desk" from the book "Password Incorrect" written by Nick Name
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Hiding inside&out, writhing about, taken out&in.
An experimental journey through a year in the life of the director, using his always playing playlist to cross the boundaries of fiction and documentary. Through scenes of both comedy and tragedy, realistic documentary footage and experimental sequences of the director's environment and daily life we get a sometimes estranging image of a young man and also an intriguing insight in his mindset and how this translates to the imagery on screen.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
This cacophony runs over me, over everything I see, everything I want to see: it's me.
Rather pointless, rather stilted, fetid; not what we want us going after.
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Still it's really tall. Still it's really floundering/falling/fading.
Strings together what's strung together (please use yr tether).
Your raging romp results only in rescinded regret @ the hands of radder cadets.