Park Geun-hye
as Self (archive footage)
Jeong Bu-ja
as Self
Kim Gwan-hong
Jeon Myeong-seon
A documentary on the South Korean ferry disaster that claimed the lives of more than 300 passengers in April, 2014.
Yoo Kyung-geun, who lost her daughter Ye-eun in the Sewol Ferry Disaster, sits down at the podcast production studio. It is to meet with the bereaved families of numerous social disasters before and after the Sewol Ferry Disaster. They are Hwang Myung-ae, the mother of Han Sang-im who died in the 2003 Daegu Subway Fire, Ko Seok, the father of Gahyun and Nahyun who died in the 1999 Sealand Youth Training Center Fire, and Bae Eunsim, the mother of Lee Hanyeol who died in 1987's June Struggle. The bereaved families talk about "the life after" and their daily lives, and Yoo Kyung-geun learns to live without Ye-eun.
A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.
The Hundred Squares: "No more delays," the cry of citizens echoes from the lives of those barely holding out against discrimination and hatred. Struggling with diverse identities in their daily lives, citizens reflect on the meaning of "discrimination" through their own experiences and testimonies. They question and reflect on what is needed to eliminate it and speak out before the camera. The Blooming Equalities: discrimination law that has been on hold for 20 years. A lawyer, a researcher, a religious figure, a writer, and an activist stand in the square again after a year, and, in this time of rampant right-wing extremism and hate, they speak of an anti-discrimination law as "the right answer to ending the insurrection, the last line of defense for human dignity, a current that can no longer be held back, a square that cannot at all harm families, churches, and the nation, and a place where the voices of the less fortunate can be heard."
Ep1. The Martyr and the Left: Under the Yoon Suk-yeol administration, construction workers were branded as “construction gangsters,” forced to endure a period of hardship. Ep2. Purple Ribbon: Wearing purple jackets and holding purple light sticks, the families of the victims of the October 29 Itaewon Disaster stand out on the street. Ep3. Dream, Breath: “I” keep waking up from dreams of being chased, a recurring cycle that haunts me day after day. Ep4. Breaking the Silence: Chai-han, who once said their dream was to become a human-rights activist, gradually grows distant from that dream after entering university. Ep5. Dancing Volunteer: After the December 3 martial law was declared, Park Pyeong-hwa felt compelled to return to the square. Ep6. Beyound the Impeachment: We interviewed a diverse group of people who came to the square after the December 3 uprising.
Two closely related episodes. Youths make problems for two local orchestras about to compete nationally, and in a talent competition a young girl gets stage fright, while another lies to her boss to compete.
The timeless photographs of Ansel Adams have made him one of the most recognized and admired names in art. This intimate look at the man and his work details his position as a staunch environmentalist and how his art reflected his strong worldview. David Ogden Stiers narrates this profile produced for the PBS series "American Experience," which was directed by Emmy-winning documentarian Ric Burns.
"These portraits are encounters I wanted to be kept from oblivion, even if it is only while you are watching them. They are women who work, who have children, and who, at the same time, keep their independence of mind. I shot 24 portraits of 13 minutes each. I have chosen this short running time for several reasons: not becoming a bother, escape tv adds cuts, shoot the movie quickly, in one pace and without too many scratches. I am not a documentaries maker. I am more like a faces, hands and things lover. To show reality is not my goal. “Reality” is just a word, just like its twin sister “fiction”, which I practice as well, but with a different delight." (Alain Cavalier)
In this cinematic zine, directors scattered all over the world adapt to screen hilarious and poignant Belarusian news stories. Featuring phone thieves, TikTok storks, the tiniest castle in the world, and victims of the depression epidemic.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.
Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.
Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.
The film traces PARK Geun-hye's life back to the 1970s, when the leader-follower relationship began between PARK, who became the first lady of the Yushin regime, and CHOI Taemin, the leader of a pseudo-religion. It then examines the Sewol ferry incident, CHOI Soonsil Gate, candlelight rallies, and finally the impeachment.
Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
What is “Slovakia”? How to explain the notion of “Slovakia” of the past 20 years to an unknown stranger, a visitor from another planet? What is the genetic makeup or the software for “Slovakia”? How to use it? How does it change? Slovakia 2.0 is a film about twenty years of independent Slovakia as seen from the perspective of ten film directors. It is composed of ten 10-minute films of different genres ranging from drama, through animation and documentaries, to experimental film. The ten recognised film directors who offer an answer to what is Slovakia include a wide range of generations, views and genres, namely Juraj Herz, Martin Šulík, Peter Kerekes, Zuzana Liová, Mišo Suchý, Ondrej Rudavský, Iveta Grófová, Peter Krištúfek, Viera Čákanyová, and Miro Jelok.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
The second Gulf War from 1990 to 1991 represents in the collective Arab memory a turning point in regards to the Arab nationalism’s self-perception as well as a moment of deep historical and existential insecurity. Five Arab directors discuss the events from their personal perspective.