Mickey, in the Australian bush, throws a boomerang that gets caught in Pluto’s mouth. Mickey then discovers an egg of an emu. Unfortunately, the parent chases him, but Pluto and the boomerang zoom into his path, leaving the emu all tangled.
James MacDonald
as Mickey Mouse
Pinto Colvig
as Pluto
A young woman meets the ultimate terror, a supernatural reality-bending maniac with a very large collection of out of print VHS tapes.
This is a story about the origin of hostility between a cat and a dog. Based on the ballad of Hovhannes Tumanyan.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Santa Forgot, narrated by Stephen Fry, imagines a world where Santa is living with the effects of dementia and no longer visits children on Christmas Eve. But we believe in the power of research to change the future. Do you?
Overwhelmed by her husband’s medical bills, Sofia takes a desperate measure: she becomes an egoblogger.
This film combines live action/original animation and library animation. Mickey steals a magic hat from a Sorcerer and is put under a spell by the angry magi so that no one will recognize him until he finds his own magic within. While Mickey is on his quest, network news teams around the country desperately try to find the famous, beloved mouse who has mysteriously disappeared. On his quest, Mickey pays a visit to the patrons of "Cheers", meets up with the Keatons from "Family Ties", and winds up on Disneyland's Main Street the night before his Birthday celebration is to take place. It is there that he finds he has all the magic inside him that he will ever need. The spell is broken and the Birthday bash commences as the whole World celebrates the beloved Mickey Mouse.
When a tourist bus stops at a gas station, Chencho, one of the passengers, decides to go to the toilet.
A businessman goes home early to surprise his family and is treated with suspicion, mostly by his wife's bridge club.
Space Case follows Bobbie Almond, a social outcast who has dreams to escape her small town life. She has a ticket to Mars! But when Bobbie's ticket to a new life gets stolen by her super Preppy sister, she's forced down a road of conformity, to be a part of the town's Beauty pageant! Will she conform? Or will she bail and follow her dreams!
Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.
A family's life is transformed into an object of art.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
The loss of a loved one, the grief, the risk of yellow skin, and a coffin, that is too much for Karl to face. Then it's much easier to fix a broken lamp. Karl meets Torben, a destined brother. An absurd, humorous, and melodic meeting between two old men captured by grief.
The Lonely Island spoofs Jose Canseco and Mark McGwire in this visual rap album set in the Bash Brothers' 1980s heyday.
It is not easy to find love, especially if you are falling apart, stinky and a little bloody around the edges. Welcome to Rotting Hill, where the extinction of humanity has led to the rise of a new species - ZOMBIES.
An early short film by Peter Weir, produced between 1967 and 1968 for a Channel Seven staff revue and later screened in underground film programs.
