A dog story about a stray traveling in the dense and swallowing Amazon jungle, the dusty streets of Quito, Ecuador, and a Switzerland. Arthur joined a race, and outpaced death, to find a new life with the adopted adventure seekers.
The historic gathering of three hundred indigenous activists from North, South and Central America who met in Quito, Ecuador, in July 1990 to organize a cross-continental indigenous resistance to the Columbus Quincentennial.
A 13-year-old Indian boy is found unconscious after being attacked in the jungle by the evil spirit Fayu Ujmu. A shaman attempts to ritually tame the spirit and advises the boy’s father to capture it. This story is based on a Chachi Indian legend; it was shot with indigenous inhabitants of the jungle community of Loma Linda, on the Rio Cayapas.
In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.
Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?
Two hundred years after Charles Darwin set foot on the shores of the Galápagos Islands, David Attenborough travels to this wild and mysterious archipelago. Amongst the flora and fauna of these enchanted volcanic islands, Darwin formulated his groundbreaking theories on evolution. Journey with Attenborough to explore how life on the islands has continued to evolve in biological isolation, and how the ever-changing volcanic landscape has given birth to species and sub-species that exist nowhere else in the world. Encompassing treacherous journeys, life-forms that forge unlikely companionships, and survival against all odds, Galápagos tells the story of an evolutionary melting pot in which anything and everything is possible.
In The Call of the Mountain (L’appel de la montagne) a couple are childhood sweethearts who are separated, she marries a rich man and he becomes an alpine guide. The woman’s husband dies, and she returns home to Switzerland, her wealth and beauty drawing interest from a foreign rake, rogue, and roué named Billinsky. He talks her into a mountain ascension that meets with disaster when some of the climbers fall to their deaths. Her loyal friend the alpine guide rescues his sweetheart, and saves her again.
With a hybrid style blending political essay and road movie, this documentary by Santiago Bertolino takes us into the heart of the Amazonian reality. Following Marie-Josée Béliveau, an ecologist and ethnogeographer, they journey together along the 4000 km from the mouth of the Amazon River in Brazil to one of its sources in Ecuador where they meet with the guardians of the forest. As a result, we witness powerful and spontaneous testimonies from local communities who are doing everything to preserve what remains of their lands, which are disappearing due to the inexorable advance of Western modernity.
The story of the iconic electronic music group Yello and the phenomenon of their 1980's hit song, exploring the song’s cultural impact and its enduring place in the American psyche.
Boulders in Valais presents the canton of Valais in Switzerland, its bouldering climbing spots and some of its historical and current actors and driving forces including Lucien Abbet, Benoît Dorsaz, Fred Nicole, Dave Graham... Frédéric and François Nicole gives us spectacular demonstrations of this sport, showing us routes like "Radja", the world's first 8b+. A topo-video part contains 28 climbing sites with a geographical map, and more than 160 video sequences for as many chosen blocks... more than 2h30 of climbing.
During the 1920's, Augusto San Miguel (1905-1937) directed, produced and starred in the first feature films made in Ecuador. Unfortunately, San Miguel's films -like many episodes of his life- disappeared in time. The only remains are the movie ads on old newspapers and a mysterious legend, by which San Miguel was buried with his films.
Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.
In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.
It is thanks to this film that the Marquis gained notoriety with a wider audience. The film is the result of film footage shot between May 1926 and June 1930 in several South American countries. Departing from Guayaquil, he first went to the Galapagos Islands in the Pacific. Upon returning to the capital of Ecuador, chance brought him to the Ocaina Indians, the Boro, the Napo, the Jivaro and the Piro. He explored the Incan mines of Machu Picchu, discovered only a few years prior, and ended his journey on the famed Guano islands. The musical score, inspired by traditional Indian music, was created by Maurice Jaubert.