A worldwide scientific investigation on tsunamis. Thanks to exclusive access in Palu, Indonesia, follow the UN’s hand-picked scientific team of "tsunami hunters". Where do they strike? How do they submerge us? What can we do to survive them?
February 2010. On a remote island in the Pacific Ocean called Juan Fernández, everyone slept in town. But a 12-year-old girl felt a tremor and warned of imminent danger.
The fascinating landscape formations of Iceland in the North Atlantic bear witness to the beauty and primal power of nature. They were created through the interaction of powerful volcanic, geological and biological processes that have been changing the face of the earth for billions of years. This is what the Earth might have looked like four billion years ago. Iceland is the realm of ice and fire. Nowhere else is there such a high density of volcanoes. The landscapes, which are continually reshaped by eruptions, make the island a natural laboratory full of clues about the formation and development of the earth. The documentary follows a group of scientists through the most active areas of Iceland, along a mountain range that has emerged from the ocean. On the slopes of the volcanoes, in the fog of the fumaroles and on streams and rivers, the three researchers explore how the first forms of life populated the earth's surface and in what evolutionary steps they took over the earth.
It was one of the greatest natural disasters of all time. On the morning of Boxing Day 2004, a massive tsunami hit the coast of the Indian Ocean. More than 230,000 people died, including many holidaymakers from Germany and France. On the occasion of the 20th anniversary, survivors tell their stories. How has the disaster affected their lives to this day?
Acclaimed Australian journalist Ray Martin and remarkable Australians return to the epicentre of the tragedy, uncovering incredible stories of hope and resilience.
An epic cinematic and musical collaboration between SHERPA filmmaker Jennifer Peedom and the Australian Chamber Orchestra, that explores humankind's fascination with high places.
Global warming in context. What the climate of the past tells us about the climate of the future.
The anguish a woman experienced on the night of September 7, 2017, caused by the 8.2 magnitude earthquake that struck southern Mexico and the danger of another impending disaster.
On September 19, 2017, at 1:14 p.m., an earthquake devastated Mexico City and its environs. Immediately, citizens mobilized to help, including the actor and youtuber Juanpa Zurita who quickly organized a group of friends that included singers, actors, content creators and other celebrities from the world of entertainment who helped him raise funds for the reconstruction of the city.
Depicts assorted natural and human disasters, including the crash of the Hindenburg (1937), earthquakes in Alaska (1964) and Long Beach (1933), the LeMans auto racing crash at which 82 people were killed (1955), Hurrican Camille (1964), the eruption of the Mt. Etna volcano (1971), a tornado (1974), the collapse of Idaho's Teton Dam (1976), the sinking of the Andrea Doria (1956) and the Texas City explosion which devastated Galveston (1947).
Face of the Earth explores the origin of our planet's outer layer, the why-and-how of its mobility. Through the use of well-designed diagrams, the earth's cyclical activity is clearly explained. Some unusual footage on volcanoes gives added punch to an already absorbing subject.
In this retrospective tribute, acclaimed filmmaker Jean Walkinshaw hails the 100th anniversary of Mount Rainier National Park in Washington by talking to those who know it best: the scientists, naturalists, mountain climbers and artists whose lives have been touched by the peak's far-reaching shadow. The result is a harmonious blend of archival material and high-definition footage celebrating an icon of the Pacific Northwest.
Starting off a kilometre high, travelling at the speed of a jet aircraft, and heading for us. It doesn't make for a good outcome. Hollywood-style graphics and real-life archive bring home an imagined near-future scenario, all based on cutting-edge science. —Trevor
An enormous shroud of white cement covers a hillside in the remote of western Sicily. It is both land art and a memorial to the town of Gibellina that was devastated by an earthquake in January 1968. It’s a work by the Italian artist Alberto Burri. He covered the ruins of the town with white cement and fissures function as pathways that wind through an area of roughly 20 acres. Petra Noordkamp captures Il Grande Cretto di Gibellina by Alberto Burri as an experentiental work of art filled with a sense of place and history.
On March 11, 2011, Okawa Elementary School in Ishinomaki City was engulfed by a tsunami, and 74 children, or 70% of the school's children, were killed. 51 minutes elapsed between the earthquake and when the tsunami reached the school. The school was informed of the tsunami and a school bus was on standby, but students did not evacuate. Okawa Elementary was the only school that suffered a large number of casualties in this earthquake. This documentary follows the lawsuit that followed the disaster, where the parents sought the truth behind the tragedy.
After the disaster of March 2011, the Japanese authorities decided to build a gigantic 15 meter high, 500 kilometer long, anti-tsunami wall, separating the land and the ocean. But what is the environmental and human impact of this wall? The population is divided on their opinion: should they cut the island off from the sea or stay vulnerable to tsunamis? Is there another way?
On May 12, 2008, a catastrophic earthquake hit Sichuan Province in rural China, killing nearly 70,000 people, including 10,000 children. In town after town, poorly constructed school buildings crumbled, wiping out classrooms filled with students, most of them their parents' only child. But when grieving mothers and fathers sought explanations and justice, they found their path blocked by incompetence, corruption and empty promises.
72 hours after a shattering earthquake hits his hometown, a filmmaker grabs a camera and discovers a universal, first-person tale of memory, loss, and coming back home in the least likely of circumstances.