Like a Wave in the Sea

Before the Gates

Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.

Scroll on Thru

Scroll][Stop{{Scroll}}Stop/}{~Scrollllllll

Hjärtat brinner

A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

How I See Sunsets

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

Transmissions

Circuit bent gain controller run into a CRT TV

Cremaster 5

Cremaster 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, Cremaster 5 represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

⭐ 6.1

Cóndor

REYNIVELLIR

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

Aridity Enclosure 1

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Out of the Law

Beyond all human restraint lies one's lugubrious layers of paint.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'

Hiding inside&out, writhing about, taken out&in.

Every Ambulation a Betrayal

Return to 'burn' only to find out you're already in that urn.

Complainant

There is nothing left to do but complain.