The documentary talks about of the devastating earthquake of 2001 and captures first-person accounts of survivors, rescuers, journalists, photographers, and earth scientists.
Anupam Kher
as Narrator
The journey from ashes to idols through the eyes of a teenager who has created many jobs in the process The documentary shows how a teenager decided to get rid of temple's waste by making idols from them and how few jail inmates became his helper in the process.
Anxious, out of work and without access to transport during the nationwide COVID-19 lockdown in 2020, migrant labourers in India’s metropolises decided to walk back home to their villages en masse. As news channels beamed heart-rending silhouettes of millions of men, women and children marching along national highways with their meagre belongings, it became plain that the lockdown had already drafted one of the most traumatic chapters in the nation's modern history.
At the age of 54, Binode Bihari Mukherjee, an accomplished painter, lost his sight following an unsuccessful cataract operation. He continued to create art despite his loss of sight. The documentary explores Binode Bihari’s inner eye that guides his fingers to create art.
An exploration of the 'respectable' and 'immoral' stereotypes of women in Indian society told from the point of view of two striptease dancers in a Bombay cabaret.
Tathastu starts off with a recap of moments from Zakir's life. Starting from his early school days, the performance is a ride where the audience gets a peek at the family he was born in, the characters he grew closest to and his young years bloated with aspirations of becoming an RJ. He goes onto share a few personal learnings on stage as he tries to make sense of his journey thus far.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
Dancing is a passion of the rich, believes Manish Chauhan , the 21-year-old son of a taxi driver in suburban Mumbai. Yet he, like his friend, 15-year-old Amiruddin Shah daydream of becoming principal ballet dancers in big American companies.
"India" developed out of my three journeys to Pune in 2001, 2002 and 2004. I arrived in a forgein country, and felt surprisingly familiar in the foreign. There in the streets, walking among the people, surrounded by their movements, their gestures, by the colors, the light, the beauty. Small things awakened my attention, sometimes only a short glimpse, a hand movement, the color of a sari, a temple hidden in a courtyard. It was like a long hot bath that I took there in Pune's streets - something unique and very beautiful.
Guler, a small principality near Kangra, was an artistic and cultural wellspring since it's accidental inception in the 15th century. Many greats like painters Pandit Seu, his sons Manaku, Nainsukh, and the poet Brajraj were born here. Today the whole system of patronage under which lofty endeavours were possible even in financially austere conditions is gone. And tragically even the physical landscape is submerged under a dam. The film seeks out some traces of the submerged past, through the memories of those left behind, a condensation of a bygone civilization.
A thought provoking short film on Indian farmers told through clay sculptures made from barren farms of the farmers who have committed suicide.
The inspiring story of a young Indian Muslim woman who trades her burka for dreams of playing on the Mumbai Senior Women's Cricket Team and how the harsh realities for women in her country creates an unexpected outcome for her own family, ultimately shattering and fueling aspirations.
"Discover Dr Anil Prakash Joshi's Himalayan journey in 'A Son Of Himalaya". From rural roots to ecological visionary, witness his symphony of sustainability, GEP innovation, and the transformative power of nature's whispers.
Life and disciples of legendary Indian classical musician and teacher, 'Guru' of Pandit Ravishankar, 'Baba' Ustad Alauddin Khan.
An extensive, in-depth account of the making of an ultimate revenge saga through the eyes of Anurag Kashyap, the cast and the crew of "Gangs of Wasseypur".
In 1997, Ashish Avikunthak filmed a sequence -- a friend and artist, Girish Dahiwale, immersing an idol of Ganesha at Chowpati beach, Bombay on the last day of the Ganapati festival. A year later, he committed suicide. After twelve years, Avikunthak completed the film. Using his footage as the leitmotif, this film is a requiem to a dead friend, and metamorphosises into an “existential inquiry into the idea of death”.
Explores the processes of political maneuvering which led to the Hyderabad communal riots in 1984. The city’s history, the provocative speeches of its politicians and the instrumentalisation of religious processions stands next to the testimonies and the striking visual accounts of the Old City’s working class – those who lose their livelihoods through violent attacks and long periods of imposed curfew.