Planeta Siqueiros

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Around the End of the World

A short silent documentary on the making of the 1931 Abel Gance directed film, "La Fin du Monde".

⭐ 5.7🤍

Lucina Annulata

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

⭐ 0.0🤍

Edith+Eddie

Edith and Eddie, ages 96 and 95, are America's oldest interracial newlyweds. Their unusual and idyllic love story is threatened by a family feud that triggers a devastating abuse of the legal guardianship system.

⭐ 7.3🤍

Amén Jesús

An experimental and iconoclastic journey through the Spanish Holy Week in the late sixties.

⭐ 0.0🤍

The Art of Fire

The glass industry, focusing on the master craftsmen of Bohemian crystal.

⭐ 6.0🤍

Push

“Push,” is a story of self-discovery, found in the simple joys of skateboarding. This film explores ideas of identity and quickly becomes an anthem for the inner strength that can be found in finding a community.

⭐ 0.0🤍

Film for Blind Poet

Glauco Mattoso, a blind sadomasochistic poet, agrees to participate in a documentary about his own life, but the conditions he imposes raise difficulties to the work of the young director.

⭐ 2.0🤍

Lost and Found

Lost and Found provides an in-depth focus into the Myanmar military’s campaign of ethnic cleansing and violence perpetrated against the Rohingya, and one man’s life mission to reunite separated Rohingya children with their parents.

⭐ 8.0🤍

Philippe-Alain Michaud, le réel traversé par la fiction

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

⭐ 0.0🤍

I, Claude Monet

From award-winning director Phil Grabsky comes this fresh new look at arguably the world’s favourite artist – through his own words. Using letters and other private writings I, Claude Monet reveals new insight into the man who not only painted the picture that gave birth to impressionism but who was perhaps the most influential and successful painter of the 19th and early 20th centuries. Despite this, and perhaps because of it, Monet’s life is a gripping tale about a man who, behind his sun-dazzled canvases, suffered from feelings of depression, loneliness, even suicide. Then, as his art developed and his love of gardening led to the glories of his garden at Giverney, his humour, insight and love of life is revealed. Shot on location in Paris, London, Normandy and Venice I, Claude Monet is a cinematic immersion into some of the most loved and iconic scenes in Western Art.

⭐ 6.2🤍

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

⭐ 5.3🤍

Tehran Is the Capital of Iran

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.

⭐ 5.6🤍