Galician Heritage

Die Affäre Meili

The Commission

For some time now, The State Commission of the Lithuanian Language is at the center of tough discussions. For some, it’s an institution which safeguards the most important principles of the language, but for others, it’s an anachronism of the Soviet regime. This film offers a first-time glimpse into the commission’s work

Oldemors reise

Postcard (Or, from afar, you are a mirage)

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Profils paysans : l'approche

The first of a documentary serie about rural France.

Broken Palace

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Ofelia

At 88 years old, Ofelia reflects on her life under the attentive gaze of her grandchildren. Family, love, disputes, adventures, and tragedies. A story brimming with characters that, as a result of the passing of time, leaves Ofelia as the sole witness to recount it

Stories from Sicily

A documentary about the life of the filmmaker’s grandfather and his life growing up in Fascist Italy to meeting his wife and immigrating to America.

Pāragate

From Belgium, Jialai Wang maintains contact via smartphone and camera with her mother and grandmother in China. When her grandmother’s health deteriorates, Jialai returns to Shanghai, but when she arrives, her grandmother has already died, and she is left alone with her mother. A devout Buddhist, her mother seems to pay more attention to her daily prayers, Maoist past and dog Dongdong than she does to her daughter. She herself had been abandoned as a child by her own mother, when she divorced Jialai’s grandfather and moved to the city.

Daughter of a Lost Bird

What does blood have to do with identity? Kendra Mylnechuk, an adult Native adoptee, born in 1980 at the cusp of the enactment of the Indian Child Welfare Act, is on a journey to reconnect with her birth family and discover her Lummi heritage.

𝗦𝗮𝗻𝘁𝗮 𝗔𝗻𝗮: 𝗧𝗵𝗲 𝗪𝗼𝗺𝗯 𝗼𝗳 𝗠𝗮𝗻𝗶𝗹𝗮

The film is about inspiration, reminding the power of collective action, the importance of preserving the heritage of Santa Ana, and the boundless potential that lies within the community. It is a story that deserves to be told, a story that will resonate with audiences of all ages and backgrounds.

De Wolkenfietsers - erfenis van een droom

On the outskirts of Den Helder lies De Nollen, an inland dune area where nature, sculpture, and painting merge into a truly immersive experience. It is the life's work of artist Rudi van de Wint. He died unexpectedly in 2006. His sons, Ruud and Gijs, carried on his dream, out of love for their father and for De Nollen. But plans for a Rudi van de Wint museum in the area led to cracks in their idyllic existence.

The door of the Sahara

In December 2004, 120 years after it was built by the Spanish, Fort Villa Cisneros, a unifying symbol of tradition and modernity in the history of the Sahrawi people, was destroyed by Morocco, ignoring the voices of those who pleaded for its preservation in favour of respect for the community’s past.

Gunnar's Last Project

At 85, Icelandic design icon Gunnar Magnússon begins a final project with help from his daughter Tinna. As his health suddenly fails, she is left to complete the work herself, turning her father’s last creation into a daughter’s final gesture of love.

I'm Not Black, I'm Coloured: Identity Crisis at the Cape of Good Hope

In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.