In a concert, one of the musicians suddenly rushed to the sky. There he waits at St. Peter's Gate to be received. Inside, pathetic music is played. A musician plays jazz. The angels begin to tremble in rhythm
Naum Shopov
as Muzikantat
Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop.
A hypothetical continuation; an animation based off of a gag from The Simpsons.
The misadventures of a hungry kitten.
Commodore 64 demoscene short film that showcases computer animation, art and music. Made in modern times on old Commodore 64 computers.
On the motives of Chinese legends. For adults.
A highly emotive, visual feast set in the imaginative mind of a heartbroken panda called Herbie, who has recently broken up with his deer girlfriend Rice.
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.
Opening its eyes, the moon that fell to the depths of the sea was met with complete darkness. Will the moon be able to return to its home in the sky?
War, loneliness, nature, journeys, fallen dreams are some of the recurring aspects in this animated poem on paper.
Set in an alternative timeline to the manga and animated TV series, the movie features a classic Cinderella story told through the medium of '80s dance. Tsukushi Makino is a trainee dancer in a New York Performance group, struggling to become the star of the show with the help of Rui Hanazawa and Tsukasa Dōmyōji.
In the late afternoon, a young girl sits by herself, waiting to be picked up as the last child. At home, an unsettling reality awaits marked by her father’s increasing stress. Longing for her father’s warmth and support, she is overshadowed by his burdens, as the house starts to leak.
15 years have passed and Roberto is still in love with his neighbor, but she prefers to hide ashamed of her body. With his art and an old clothesline as the only way of communication, Roberto has a plan to push his beloved for face her monsters at once.
A Screen Song from the Fleischer Studios with the Irving Berlin song "Reaching for the Moon".