Bars & Tone

Moving Memories

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

From Dogma to Dogville: Don't Try This at Home

A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.

fifteen zero three nineteenth of january two thousand sixteen

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Sleeping Monster

Filmed in Melbourne during the first several months of the COVID-19 pandemic, Sleeping Monster explores the prosaic beauty of King Gizzard & the Lizard Wizard’s studio routine. Featuring demos from the album "Changes", plus the track "Change" recorded live in the studio on film.

Journeys to the Edge of Consciousness

Take an animated journey into the depths of the human mind, exploring three psychedelic trips that changed Western culture forever. Sixty years later we sit down with twelve leading current thinkers to ask: "What can expanded states of mind teach us about ourselves, the world and our place in it?"

A lo Mejor Algún Día

கோயில் (The Temple)

Part ethnographic film and part experimental film, கோயில் (The Temple) is a hybrid piece of cinematography that questions the act of observing.

Turn On, Tune In, Drop Out

5 psychedelic short films, broadcast on the French/German tv channel "arte" on 2007-07-16 "Be-In" USA 1967, 7 min "Beatles Electronique" USA 1966-69, 3 min "San Francisco" Great Britain 1967/68, 15 min. "Andy Warhol's Exploding Plastic Inevitable" USA/Great Britain 1967, 12 min. "Eyetoon" USA 1967/68, 8 min.

Outtakes from Jo

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

A Brief History of Circles

An experimental video essay which uses circles and waves to explore neurodivergent experience.

The Parallel Coast

A story of The Map and The Territory. Shot in BC, California, and Nevada. Original music by Tashi Townley, Jack Brintnell, Luc Wiebe, and George Lee.

detours while speaking of monsters

Here, where even monsters are political, the topography has its own memory. It has the mythological blues. Meanwhile, old gods are upset with us, and I am upset with my father.

The Garden Cadences

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

The Architects

Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)

á-B-C-D-é-F-G-H-CH-í-JONESTOWN

A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.

New Life

"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.

unbroken rhythms

a poem. trees. fragments of fritz. love—and nothing besides!

A Film to Pass the Time

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

CARMEX

An Evil Entity intrudes on a YouTube Vlog by a group of Queer teenagers.

Hunting Confessions

"This project consists a visual fluidity of construction, harmony and thoughts taking colors and length from this body of autonomy. Different images between figuration and abstraction are created by meaning and phenomenon letting the decoupage revealing a piece of a strange underworld. I built it like a window opened to the fresh air of improvisation by familiar landscapes, those exact moments articulating a connection between light and movement."