A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
Huynh Vu Minh Khue
as Narrator #1
Trong Hieu Nguyen
as Narrator #2
Make your adjustments.
C+M, for YK. Subtractive colour blending is used in an attempt to conjure Yves Klein's 'L'accord bleu (RE 10)', 1960. The limitations imposed by media and technology ensure that my perfect pigment never is, and that what is produced is ephemeral, declarative, and reverent of the impure. Laser printed onto recycled 16mm film in 2014.
Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.
Ariadne, a theatre actress, is seemingly trapped inside a room. Once she lets go, the room starts shifting.
Following the disappearance of a man in Scotland, his daughter recalls words chanted before nightfall.
A closeup examination of a tree in the morning light.
An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
Veils is a short experimental film about humans finding themselves outside of the technological advancements of the world today. It is inspired by the fogginess and blurriness humans can go through when they use different technologies like smartphones, artificial intelligence, and much more. What happens when humans break outside of the bubble that they created?
Julia is my mother. She's worked as a hairdresser all her life, but she's retired now. She spends her weekdays cooking and styling her friends' hair; but her greatest dream is taking care of her grandson, my son. He comes to visit us once a week and stays overnight. The morning after one of those nights, my mother tells me she thinks she's had a stroke. I don't know what to say; I hug her. Two weeks later, we shot this film.
A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.
An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.
Ser, a person, fights against depression, anxiety and fear, a dark creature within. Failing to escape from it, he surrenders to this feelings within him, embarking on an internal journey to reconnect with his essence and transform into light.
A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.
Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
Divided into 26 parts, an attempt to remake James Benning's film, YouTube (2011) with similar internet footage after 13 years.
A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.
An experimental film revolving around how an artist perceives a man and a woman.