Ted Stevens and Richard Nixon in D.C.

Telegramas desde el campo de batalla

For twenty years, three filmmakers in resistance exchange a series of documentary and fictional telegrams from different parts of the world, in the midst of a war of colonization waged by the Western powers.

The Red Gate: Magellan at the Gates of Death, Part I

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

The Bannfoot Ferry

A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

Two Trees

In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

A World of Dew

Morning dew in summer fields and meadows.

Mountain Wildflowers

Mountain wildflowers in a dense fog.

The Forest and The Sea

A short film featuring a coastal forest and the rocky coastline of downeast Maine.

Jasper Beach and The Salt Marsh

A short film featuring a pebble beach and coastal salt marsh in Maine.

The Seashore

A study of the seashore in mid-coast Maine.

Early Spring Wetlands

Wildlife in an early spring wetland.

Snowfall

As a winter storm approaches the shallow water crystallizes, ice builds up along the edges of a stream, and the first snowflakes of the storm layer over the newly formed ice. The following morning a soft light approaches through the snow covered forest.

Summer Meadow

A close look at flowers and pollinators on a sunny summer morning.

Small Mountains

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

Los hijos del río

火藥, burn my eyes

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

Light Protect Me From Oblivion

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

if you seek amy

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

New Clouds

Clouds forming and moving through the summer sky.