Caught between societal expectations and family obligations, a closeted trans woman in China faces a harrowing choice: risk social abandonment by embracing her true self, or endure the mental strain of remaining invisible to stay safe.
Made as part of the Winnipeg Film Group's "Super 8 Special" film incubator. This picture was captured on super 8 film, drip dyed with a mixture of india ink and water collected from Lake Winnipeg, then digitized and captured on VHS.
Edhi Alice: REVERSE begins from the perspective of Edhi, who is about to undergo gender confirmation surgery, and transitions into the journey of another protagonist, Alice, as she comes to terms with her body. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.
"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?
A short documentary about wine, vulnerability, and queer experiences. It explores the effects of alcohol on intimate conversations and the tone of discourse between young adults, taking into account that this is a method of facilitation often used during social interactions.
Tien is the first Asian trans man to publicly come out in the Vancouver, then, gay and lesbian community of 2001. In this profound and inspiring film, Tien shares his story as a trailblazing, racialised, transgender immigrant and his journey to discovering his true purpose in life — cultivating and becoming joy.
The brutal and often poignant story of a boy trapped in the body of a girl. It takes us on the journey of a typical Afrikaans child who faces self-hate, societal rejection, doubt and ultimately healing. A story about a transgender child fighting to find their place in the world.
The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.
Al is a young drag king dealing with his transgender identity daily. He tries to express it through his shows and share with us his story, feeling and thoughts about it.
Luca longs for his lost love; Thalles for a name change; Raul to be a better person. They all share one element: they were born as women.
A snowy landscape flowing outside the Shinkansen window. Miyu is heading to Nagoya to undergo her long-time dream of gender reassignment surgery. Miyu is a third-year student in the fashion design department. When she graduated, she aspired to go out into society as a woman both physically and mentally. Her dream will come true soon. A cafe bar in Kobe half a year ago. She is still chatting with her friends today. Her junior, Nao, and Mimu, who attends another university, are both transgender. “After all, love ends in sex, right? But we can’t have sex…
Two legends contested their identities as women in the court of public opinion: April Ashley, who was immortalized as a trailblazer by embracing her transgender history; and Amanda Lear, who has consciously denied and obfuscated her history for decades. Their divergent paths reveal disparate but intertwined legacies.
After a long period in life identifying as a Butch Lesbian, Cuthand considers transitioning to male. After a considerable amount of thought and discussion, Cuthand changed her mind and decided to remain a Butch Lesbian. Explaining her decision, she touches on the desire to maintain a connection to the Lesbian community, as well as the sexy genderfucking that happens when one is a masculine woman.
In Córdoba, far from the Argentine capital, the end of a military regime promises a spring that is all too brief. “La Delpi” is the only survivor of a group of friends who are transgender women and drag-queens, who began to die of aids in the late 80s. In a Catholic and conservative city, the Grupo Kalas made their weapons and trenches out of improvised dresses and lip-syncing. Today the images of unique and unknown footage are not only a farewell letter, but a manifesto to friendship.
Bambi Lake, a notorious San Francisco transgender performer and entertainer, takes us on a stroll down Polk Street, sharing anecdotes and the history behind her song Golden Age of Hustlers, which was written about her time as a street hustler in the mid-70’s.
In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.
In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.
In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.