Experimental animated film made for the Palazzo Zenobio at the Venice Biennale in 2003
A human larva, viscous, faceless, covered in wounds, moves through an ordinary day of its existence: bathing, getting a haircut, watching its favorite film, and working on its art. A self-portrait about the loneliness and self-acceptance of filmmaking.
About this experimental short, director Robert Darroll wrote, "One meaning or many meanings? But not any meaning! A field of meaning. Better. Intended meaning? Yes, but not compelling. Conventional meaning? Definitely not. Is this a narrative? Yes, but new narrative has infinite possibilities for the viewer to collaborate with the author. It isn't finished after one reading." Intended as as an epilogue to Darroll's previous work Future Paleontology.
About this experimental short, director Robert Darroll wrote, "Ultimately everything is an interpretation of a reconstruction. Paleontology of the future is necessarily a reconstruction and interpretation of the present and our interpretation of the past as seen through the templates of a future ideology. The quest for new narrative forms, the investigation into the way we derive meanings, whether intended or not, determined the form of this work."
Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.
Whereabouts is a riso-printed animated short that follows a woman’s journey through New York City, unfolding through small, intimate moments. From sunrise to sunset, Whereabouts becomes an observation on presence, connection, and the quiet magic of simply moving through the world.
Beneath the skeleton, the flesh that rustles, turns and returns to our heads before rotting in silence. This is the story of this flesh. This surrealist narrative draws us into a darkened world of the unconscious. No matter how bizarre the spectacles we watch are, thanks to superb animation they flow smoothly and surely.
A visual reinterpretation of dance and animated found footage.
An experimental short from Oskar Fischinger
Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.
Maxed out, burnt out, and sex-starved, Amber Su falls under the spell of glamorous self-help guru Coco Ging, whose mentorship turns desire and ambition into different kinds of debt. Repression evolves into possession as Amber molts into a new ego: a worksona.
An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
We depicting the never ending cycle of construction and demolition in the human consumption. It was exhibited at re-constructed disaster area in Kobe.
Hacking a claw machine inside C4D.
'This Socks' is a stop motion animation short film that experiments with different techniques to illustrate a common everyday annoyance.
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.
The first feature-length animated film by Japanese stop-motion animator Shunsaku Hayashi, inspired by his experiences after the Great East Japan Earthquake of March 11, 2011.
A hypnotic mise-en-abyme constructed from JVC camcorder footage of a parking garage. Produced in tribute to teacher, filmmaker and video artist Peter Rose and the work of Piet Mondrian.
A meditative journey through the surreal inner spaces of the filmmaker's mind as passing images and thoughts overlap, yearning to coalesce into a concept.
A life, seen through paper.
