'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
A documentary about Basque inmigrants who went to USA looking for work and a better future. Basically, Amerikanuak talks about feeling homesick, about struggling in a different country to make a decent living and about being part of a comunity.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
Is it possible to travel twice to the same memory? The filmmaker built a cabin on an isolated riverbank, just opposite his childhood island, which had disappeared under the water after the construction of a dam. The goal was to go back to that place, which had become invisible. Only the trees of the island where he’d played stood firm in the middle of the water, like the masts of a broken toy boat, so the air was the only space left, the only vestige of the past to be conquered. This film is a diary of a castaway in memories: four months of a Walden experience in a lost paradise with two hens, a small vegetable garden and a clock that stopped forever at 11.36 and 23 seconds.
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
This story begins in a small town in Euskal Herria known worldwide for its cheese. The inhabitants of this town put aside the differences created by the recent armed conflict in Europe to carry out a mission: to choose what to be in the world. This adventure will take them to witness the historic events of two nations that will be news in Europe: Scotland and Euskal Herria. A great story written in small print. A documentary of the new era that makes us look to the future
The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.
"Look for the part that's missing from this book; there, somewhere in your house it's kept. I've tried to walk as far as halfway between you and I; I can't carry on. The respect I bear for what's yours does not let me go any further", Joxean Artze.
The story of how a humble Basque rural sport called zesta punta —or jai alai— was successfully exported from the Basque Country to nations as different as Egypt, China, the Philippines, Cuba, Mexico or the United States. In these places, the pelotaris were considered true artists at the fronton. But the splendour of the jai alai, the happy feast, could not last forever.
Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
The film starts in Bermeo and ends in Gernika. A magical trip taking us from the scent of salt air and the fishing atmosphere of Bermeo port to the roots of the Tree of Gernika.
Documentary on the rural world and the city in the Basque Country.
The troubles of learning Basque in adults.