Mother Earth

'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.

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Pelota

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.

⭐ 8.5🤍

The Demise of ETA

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

⭐ 5.9🤍

Itoiz Summer Sessions

The discovery of a series of unreleased tapes leads Juan Carlos Pérez, leader of the iconic group Itoiz, to reflect on the dissolution of the band at its peak, after a clear change of style towards pop that he still denies today. Juan Carlos will thus begin a cathartic journey to the essence of the group, reliving the beginnings of the band as a progressive rock group in Mutriku in the 70's, which will serve him to reconcile with the past.

⭐ 9.0🤍

The Basque Ball: Skin Against Stone

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

⭐ 6.5🤍

Face to Face with ETA: Conversations with a Terrorist

An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.

⭐ 7.0🤍

Exergo

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

⭐ 0.0🤍

Impuros

At just 17 years old, Eduardo Madina and Borja Semper decided to enter politics to defend freedom of thought in the Basque Country. This made them a target of the ETA terrorist group for almost two decades.

⭐ 6.0🤍

Pursued

Basque Country, Spain. No one seems to know them. Some glances avoid theirs. Their social circle becomes smaller and smaller. They live under escort, watched by those who protect them and by those who threaten them: it is the experience of living in the shadow of ETA, a savage terrorist gang of unscrupulous criminals… of merely existing under the yoke of those who tomorrow could be their executioners.

⭐ 10.0🤍

Sorgina, banaiz

The massacre occurred 500 years ago. In 1525, the Spanish Royal Council ordered the execution of five members of a cult recently discovered in the Pyrenees. This event marked the beginning of a relentless, century-long prosecution against Basque witchcraft, which exhibited all the hallmarks of the great European witch hunts, including an unstable border between powerful nations, revolts against the lords, raging misogyny, confessions obtained under torture, and mass accusations. These past five centuries, only one account has been heard: that of the inquisitors and jurists, the same ones who invented the myth of flying witches who met with the devil at sabbats to plot their crimes.

⭐ 8.0🤍

The Scars

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

⭐ 10.0🤍

Euskadi, Summer 1982

Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.

⭐ 4.5🤍

Assassination in February

A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.

⭐ 6.7🤍

Ikuska 6: Euskara galdutako Nafarroa

The situation of the Basque language in Navarra.

⭐ 0.0🤍

Ikuska 8: Arabako herrien heriotza

Analysis of the problems facing the rural world of Araba, a region of the Basque Country.

⭐ 8.0🤍

Iragan gunea Berlin

The film follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.

⭐ 0.0🤍

I'm Not From Here

Day after day, an elderly woman recalls the Spanish Basque country of her youth — while forgetting she is consigned to a retirement home in Chile.

⭐ 7.5🤍

Ikuska 4: Euskal Telebista

Debate on the launch of Basque television (ETB, Euskal Telebista).

⭐ 10.0🤍

Stepping Into the Boundary

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

⭐ 0.0🤍

In Ictu Oculi

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

⭐ 8.5🤍

El instante decisivo

Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.

⭐ 2.0🤍