At just 17 years old, Eduardo Madina and Borja Semper decided to enter politics to defend freedom of thought in the Basque Country. This made them a target of the ETA terrorist group for almost two decades.
Eduardo Madina
as
Borja Sémper
Through his own photographs, the Basque artist Néstor Basterretxea (1924-2014) is portrayed by the art critic and exhibition curator Peio Aguirre, a great connoisseur of his work and personal archives.
Kristiane Etxaluz, from Soule, and Alfonso Etxegarai, from Bizkaia, are not your usual couple. Committed since their youth to the Basque independence struggle, they are condemned to living their love 7,000 km from one another due to the fact that Alfonso lives on the small African island to which he was deported several years ago. However, despite the banishment, their eyes always follow the country of the Bidasoa and their hearts at apple time; an apple time still to come.
The film starts in Bermeo and ends in Gernika. A magical trip taking us from the scent of salt air and the fishing atmosphere of Bermeo port to the roots of the Tree of Gernika.
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
In this documentary, we travel to the main locations where the musical movement known as "Basque Radical Rock" exploded, emerging in the Basque Country and Navarre in the 1980s. It recalls bands from that era, such as Cicatriz, Zarama, RIP, Eskorbuto, and Kortatu, and interviews some of its leading figures.
A documentary about Basque Radical Rock. Its name comes from a song by the well-known and successful band Hertzainak, which is also referenced in the documentary, along with the work of other rock bands and singer-songwriters. The documentary features interviews with musicians who played rock from mid-1975 to 1990. There are 23 interviews in total, with musicians from bands such as Barricada, Hertzainak, Itoiz, Zarama... In addition, the documentary includes spectacular images from that period, as the rock boom was linked to different movements in the Basque Country: gaztetxes (youth clubs), free radio stations, and fanzines. The documentary is a portrait of the youth who had just emerged from the dictatorship.
Pilot chapter of the film series 'Ikuska', a compilation of shorts on the Basque Country’s culture and politics. A documentary about the referendum on the Spanish constitution.
Five directors portray five Basque political prisoners. A young woman counts the days remaining before she is arrested. A man returns to society after 17 years in prison. A mother records every phone conversation she had with her imprisoned daughter on 125 cassette tapes. An intellect and professor of journalism tries to find himself from the solitude of his cell. And a former ETA leader reconnects with a close friend from his youth, now a filmmaker. 'Windows Looking Inward' gives a brief insight into the lives of the people behind the bars, behind the events, behind the headlines.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Donostia-San Sebastián, Basque Country, Spain, November 26th, 1985, at night. Mikel Zabalza, a young bus driver, is arrested along with other people by the Guardia Civil as part of an operation against the ruthless terrorist gang ETA. When the other detainees are released, they denounce that they have been brutally tortured in the Intxaurrondo facilities. Besides, Mikel is not among them: Mikel has disappeared.
The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Gonzalo Boye, a lawyer, businessman, and editor of Mongolia magazine, was convicted in the 1990s for allegedly collaborating with ETA in a kidnapping, a crime he denies. His story, told in a documentary by Sebastián Arabia, begins in Chile and continues in Spain, where he served 14 years in prison. During this time, he studied law and later handled significant cases like the 11M trials, the Bárcenas case, defending Edward Snowden, and suing the George W. Bush administration over Guantanamo.
A documentary, filmed entirely in the Basque Country, about Basque mythology and the ancestral beliefs of its people. Created by writer Toti Martínez de Lezea and anthropologist Anuntxi Arana, Amari immerses us in a world of legends full of supernatural beings that formed and continue to form part of the Basque people's imagination.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.