January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.
On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.
For five years, Stephen McCoy documented street life in Boston. This is what he captured.
a film about memories & showering.
Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.
A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.
A story of two men doing a documentary of a nearby woods called Rosemary Lane. And after they start to camp there to see whats going on. The demon Mary has other plans to make there stay as uncomfortable as possible
Through footage captured by a home security camera, Nhi (23) drifts through her days in depression, isolated in a room overflowing with clutter and memories of her late mother. From the tender images and soft voices preserved on her mother’s old handycam, she rediscovers traces of companionship, encouragement, and unconditional love that endure beyond loss. These fragments grow into a quiet but steady lifeline, reminding Nhi of the resilience her mother once nurtured in her. As she learns to listen to those echoes, she begins to rise from despair, reclaim agency over her life, and slowly practice caring for herself again.
The 1992 suicide of a young Iranian refugee in a small Canadian town prompted filmmaker Masoud Raouf to examine his own past as a political prisoner in Iran who helped fight for democracy, only to be persecuted by the ayatollah's regime. Raouf's documentary features historical footage and interviews with veterans of the 1979 revolution, who watched with dismay as their homeland traded a despot for a religious dictatorship.
One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.
This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.
Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of US intervention in Latin America in the form of the ultimate conspiracy theory, combining covert action, environmental catastrophe, space aliens, cattle mutilations, killer bees, religious prophecy, doomsday diatribes, and just about every other crackpot theory broadcast through the dentures of the modern paranoiac.
Inspired by an experiment from 1972, a team of paranormal researchers led by an unscrupulous documentary filmmaker try to summon the ghost of a fictional character.
One evening, as Ludvik is about to go to bed, he notices that a painting, once owned by his grandfather, mysteriously begins to move on its own. The next day, Ludvik shares the unsettling event with his friend Amund, and together they decide to investigate the painting's origins. Ludvik's grandfather had lived in an old cabin deep in the woods, that had been abandoned since his passing. Determined to uncover the truth, Ludvik and Amund venture to the cabin, only to discover secrets that should never see the light of day.
Animated short documentary following a young woman's diagnosis of bipolar: a journey of self-acceptance to challenge everyday stigma. In "Trust Me", a genre-bending short documentary, a young woman uses humour and compassion to share her moving and deeply personal story of coming to terms with her mental health condition. When she starts exhibiting atypical and extreme behaviour, her loved ones trick her into hospitalisation against her will. She is diagnosed with bipolar disorder which starts her challenging journey of self-acceptance, confronting internalised and societal stigma, and learning to trust herself and others again.
Fresh out of a long term, serious breakup, Lane Woods chooses to work through (read as: distract himself from) his feelings by making a documentary about his attempts to get back out there and find a new love. With the help of his younger brother, Colin, Lane films himself as he goes on countless dates, hoping to catch those first sparks of love on film, instead he ends up documenting something much closer to reality.
The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.
A French documentary or, one might say more accurately, a mockumentary, by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.