A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.
Luis Oliva
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A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.
A tiny courtyard, life within the walls of the penitentiary... This is their daily life. But that cannot fully define them. These are also young people with dreams. "Outside", everything seems violent, chaotic and limitless…
Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.
Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."
A documentary on the restoration of Rogério Sganzerla's 1970 film "Copacabana, Mon Amour".
After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
Three friends take an 8-day road journey to make sense of Lebanon at this moment in time. Each detour in their journey makes for a spectacular experience of co-narration and listening in the face of uncertainty.
I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.
We Are Arabbers follows the last of the horse-and-wagon produce vendors along the streets of Baltimore as they struggle to make a living and maintain their unique culture.
Rural Oregon families have taken up the fight against aerial herbicide spraying by the forestry industry for more than 50 years — but has public safety around these substances since improved? Weaving historic archival footage with modern-day stories, the film is a powerful portrait of families grappling with the realities of herbicide exposure in their own backyards.
A documentary produced in 1979 to celebrate the centenary of the birth of Albert Einstein. Narrated and hosted by Peter Ustinov and written by Nigel Calder.
A Czech director wrestles with problems personal and political during the Prague spring of 1968.