Copacabana, Mon Amour: A Restauração

Morir un Poco

A film-truth document. It presents the life of Luis, a man who wanders the streets of the city, going to and from work, contemplating the windows of a world he can never have and that invite him to consume, to dream.

Uma Rua Chamada Triumpho 1969/70

A short film made from photos of Boca do Lixo, a bohemian and marginal neighborhood, and its people.

Faritra

A tiny courtyard, life within the walls of the penitentiary... This is their daily life. But that cannot fully define them. These are also young people with dreams. "Outside", everything seems violent, chaotic and limitless…

Les Charlots en folie

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Fulano de Tal

To Cross; One Nail, Metal Spit

Filmed over a period of 3 years, this video work is a meditation on the borderline of the river Tejo, between Marvila and Barreiro. A psychogeographic piece that seeks out a feeling of doubt, inertia, and waiting. "Two sides, along the boundary line All the weight of the water above Metal arms extended to the heavens As if the sky was tilting to meet them And those giants again; Four by four . . . . all in a line, up against the tide."

Ayahuasca: Expansion of Consciousness

The story of Ayahuasca, from its emergence in the Amazonian Forest, to its popularity with the Santo Daime religion, and on to its arrival in urban centres. Combining scientific, religious and anthropological perspectives on the use of Ayahuasca in modern society, and in parallel with the director own healing process, for the first time, a holistic, yet balanced view of this controversial subject.

MEDÉIA

Não matei ninguém e mesmo assim fui ao Cinema

Uma Quase Dupla

Keyla the police officer and the unprepared detective Claudio could not be more incompatible. However they are forced to form a duo to solve the series of mysterious murders that are happening in the quiet city of Joinlândia.

Aliens do terceiro mundo e o sequestro de Dona Irene

After receiving a letter calling for a secret conspiracy meeting, a woman is mistaken for a controversial policy and kidnapped by a pair of revolutionaries with no money for Uber. The three end up living together and witnessing the end of the world, the alien invasion and military intervention together.

The Ridiculous

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Berço Esplêndido

Cocoon

A lonely journalist lives locked in his apartment, consumed by the fear of being the next victim of a serial killer who targets media professionals. Semi-finalist – Serbest International Film Festival (SIFF), 2025

Killed the Family and Went to the Movies

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Pop Ritual

A priest captures and arrests a vampire. He visits him for a regime of scientific experiments and strangeness. Over time the encounters become a hallucinated erotic and supernatural relationship.

Shapes of Normal Human Beings

Three friends take an 8-day road journey to make sense of Lebanon at this moment in time. Each detour in their journey makes for a spectacular experience of co-narration and listening in the face of uncertainty.

I Am Sitting in a Room

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

We Are Arabbers

We Are Arabbers follows the last of the horse-and-wagon produce vendors along the streets of Baltimore as they struggle to make a living and maintain their unique culture.